A few songs aside, the Charlatans generally regard this release as their least successful album, considering it was recorded at a personal and professional crossroads (Baker's departure, Rob Collins' conviction, and so forth). Criticism within and without settled on Flood's production style as well, his crisp, technically sharp abilities seem to go against the band's natural flow. In hindsight, though, Between is much stronger than its reputation, with many fans proclaiming it their favorite. It's partly due to Burgess' ...
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A few songs aside, the Charlatans generally regard this release as their least successful album, considering it was recorded at a personal and professional crossroads (Baker's departure, Rob Collins' conviction, and so forth). Criticism within and without settled on Flood's production style as well, his crisp, technically sharp abilities seem to go against the band's natural flow. In hindsight, though, Between is much stronger than its reputation, with many fans proclaiming it their favorite. It's partly due to Burgess' more up-front vocals -- his singing is still some of the calmest one will ever hear at the front of such a band, but his performance maintains Some Friendly's loose flow while sounding more compelling. Similarly, Blunt's bass sounds stronger and Rob Collins' keyboards stand out more, either shading or leading the songs perfectly. "Weirdo," the album's lead single and strongest point, has a brilliant lead organ break from Collins and series of great funk stabs that became his strongest performance ever. Equally fine is the electric piano start to "Tremolo Song," leading to a deep Blunt bass and sassy flow of a song. Brookes and Mark Collins also fill out their parts equally well, with Flood's production strengthening and creating excellent arrangements for everyone as a whole. His numerous touches are really something, from the sudden shift to buried/flanged production on "Ignition" to "Subtitle"'s atmospheric mixing and burbling bass. Other highlights include the string-laden charge of "Can't Even Be Bothered" and the concluding "No One (Not Even the Rain)." ~ Ned Raggett, Rovi
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Add this copy of Between 10th and 11th to cart. $0.99, good condition, Sold by Dream Books Co. rated 5.0 out of 5 stars, ships from Denver, CO, UNITED STATES, published 1992 by Beggars Banquet.
Add this copy of Between 10th & 11th to cart. $3.00, good condition, Sold by Bookmans rated 4.0 out of 5 stars, ships from Tucson, AZ, UNITED STATES, published 1992 by RCA.
Add this copy of Between 10th and 11th to cart. $4.07, like new condition, Sold by Goodwill rated 5.0 out of 5 stars, ships from Brooklyn Park, MN, UNITED STATES, published 1992 by Beggars Banquet.
Add this copy of Between 10th and 11th to cart. $6.39, like new condition, Sold by Wonder Book - Member ABAA/ILAB rated 5.0 out of 5 stars, ships from Frederick, MD, UNITED STATES, published 1992 by Beggars Banquet.
Add this copy of Between 10th and 11th to cart. $6.39, very good condition, Sold by Wonder Book - Member ABAA/ILAB rated 5.0 out of 5 stars, ships from Frederick, MD, UNITED STATES, published 1992 by Beggars Banquet.
Add this copy of Between 10th and 11th to cart. $6.39, good condition, Sold by Wonder Book - Member ABAA/ILAB rated 5.0 out of 5 stars, ships from Frederick, MD, UNITED STATES, published 1992 by Beggars Banquet.
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Seller's Description:
Good. Good condition. audioCD. Case Good. Disc slightly scratched. Case cracked/scuffed. Quality guaranteed! In original artwork/packaging unless otherwise noted.
Add this copy of Between 10th and 11th to cart. $10.49, good condition, Sold by Music Fiendz rated 5.0 out of 5 stars, ships from South Hackensack, NJ, UNITED STATES, published 1992 by Bmg Music.
