The trauma of Hiroshima and Nagasaki demonstrates the limits of dominant visual models, such as photography, for providing adequate historical memory. The author argues that collective traumas suggest the need for a prolonged gaze, such as can be provided by expressive art.
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The trauma of Hiroshima and Nagasaki demonstrates the limits of dominant visual models, such as photography, for providing adequate historical memory. The author argues that collective traumas suggest the need for a prolonged gaze, such as can be provided by expressive art.
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Add this copy of Beclouded Visions: Hiroshima-Nagasaki and the Art of to cart. $9.79, like new condition, Sold by Bookmarc's rated 4.0 out of 5 stars, ships from La Porte, TX, UNITED STATES, published 1999 by State University of New York Press.
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As New. No Jacket. AU3-A first edition hardcover book in as newcondition with no dust jacket. SUNY series, INTERRUPTIONS: Border Testimony(ies) and Critical Discourse/s, Henry A. Giroux, Editor. Satisfaction Guaranteed.
Add this copy of Beclouded Visions: Hiroshima-Nagasaki and the Art of to cart. $9.79, very good condition, Sold by Bookmarc's rated 4.0 out of 5 stars, ships from La Porte, TX, UNITED STATES, published 1999 by State University of New York Press.
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Very Good. No Jacket. AU3-A first edition hardcover book in very good condition with no dust jacket. SUNY series, INTERRUPTIONS: Border Testimony(ies) and Critical Discourse/s, Henry A. Giroux, Editor. Satisfaction Guaranteed.
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Add this copy of Beclouded Visions: Hiroshima-Nagasaki and the Art of to cart. $39.16, new condition, Sold by Ria Christie Books rated 5.0 out of 5 stars, ships from Uxbridge, MIDDLESEX, UNITED KINGDOM, published 1998 by State University of New York Press.
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