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Bartók: Kossuth; Two Portraits; Suite No. 1 - Michael Ludwig (violin); Buffalo Philharmonic Orchestra; JoAnn Falletta (conductor)
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  1. Kossuth, symphonic poem for orchestra, Sz. 21, BB 31
  2. Two Portraits (Két portré), for violin & orchestra, Sz. 37, BB 48b (Op. 5)
  3. Suite for orchestra No. 1, Sz. 31, BB 39 (Op. 3)
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Probably a majority of great composers sounded somehow like themselves even as teenagers. Beethoven did not sound like Haydn or Mozart, but like an imperfect version of himself very early on. Bartók was different, though: ask someone who knows only the big Bartók successes for an identification of the composer of these pieces and a correct guess is unlikely. These pieces fit into the tradition of Liszt and Richard Strauss, with the latter especially evident in the tone poem Kossuth. The work depicts a hero of the ...

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