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Bach: A Musical Offering, BWV 1079 - London Concertante; Madeleine Easton (baroque violin); Mariann Szucs (baroque violin); Nicholas Jackson (harpsichord)
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  1. Concerto for harpsichord, oboe, strings & continuo No. 8 in D minor, BWV 1059 (incomplete)
  2. The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079
  3. Trio Sonata for organ No. 3 in D minor, BWV 527 (BC J3)

The Musical Offering, BWV 1079, is unique among Bach's works, if indeed the term "work" is appropriate to describe it at all. "Collection" might be a better word. The Musical Offering arose during and after a visit by the aged Bach to Frederick the Great of Prussia in 1747. The king, who played the flute, gave Bach a theme of his own composition and challenged Bach, whose skills as an improviser were legendary, to turn it into a fugue on the spot. Bach managed a three-voice fugue (impressive in itself), but said he would ...

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