This book focuses on the 'aural turn' in contemporary theatre-making, examining a number of seemingly disparate trends that foreground speech and sound - 'post-verbatim' theatre, 'amplified storytelling (works using microphones and headphones), and 'gig theatre' that incorporates live music performance.
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This book focuses on the 'aural turn' in contemporary theatre-making, examining a number of seemingly disparate trends that foreground speech and sound - 'post-verbatim' theatre, 'amplified storytelling (works using microphones and headphones), and 'gig theatre' that incorporates live music performance.
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