This book tells the story of Germany's rich, flourishing, and diversified world of art in the last decades of the 19th century--a world that has until recently been eclipsed by the events of the 20th century. Basing her narrative on a close reading of contemporary periodicals, and lavishly complementing it with cartoons and other illustrations from these publications, Beth Irwin Lewis provides the first systematic, comprehensive study of that German art world.
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This book tells the story of Germany's rich, flourishing, and diversified world of art in the last decades of the 19th century--a world that has until recently been eclipsed by the events of the 20th century. Basing her narrative on a close reading of contemporary periodicals, and lavishly complementing it with cartoons and other illustrations from these publications, Beth Irwin Lewis provides the first systematic, comprehensive study of that German art world.
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Add this copy of Art for All? : the Collision of Modern Art and the to cart. $7.76, good condition, Sold by HPB-Red rated 5.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 2003 by Princeton University Press.
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Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
Add this copy of Art for All? : the Collision of Modern Art and the to cart. $15.00, very good condition, Sold by Chaparral Books rated 5.0 out of 5 stars, ships from Portland, OR, UNITED STATES, published 2003 by Princeton University Press.
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Very Good in Very Good jacket. Size: 8x1x10; The binding is tight with some light wear to bottom edges, corners sharp. Text and images unmarked. Dust jacket in a mylar cover. 447pp.
Add this copy of Art for All: the Collision of Modern Art and the Public to cart. $20.95, like new condition, Sold by Daedalus Books rated 4.0 out of 5 stars, ships from Portland, OR, UNITED STATES, published 2003 by Princeton University Press.
Add this copy of Art for All: the Collision of Modern Art and the Public to cart. $25.92, like new condition, Sold by Bingo Used Books rated 5.0 out of 5 stars, ships from Vancouver, WA, UNITED STATES, published 2003 by Ewing, New Jersey, U.S.A. : Princeton Univ Pr.
Add this copy of Art for All? : The Collision of Modern Art and the to cart. $28.00, like new condition, Sold by MannBooks rated 4.0 out of 5 stars, ships from Woodbine, MD, UNITED STATES, published 2003 by Princeton University Press.
Add this copy of Art for All? : the Collision of Modern Art and the to cart. $29.88, new condition, Sold by rockyblue rated 3.0 out of 5 stars, ships from GLADWIN, MI, UNITED STATES, published 2003 by Princeton University Press.
Add this copy of Art for All? : the Collision of Modern Art and the to cart. $32.00, like new condition, Sold by art longwood books rated 4.0 out of 5 stars, ships from Gloucester, MA, UNITED STATES, published 2003 by Princeton University Press.
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Fine in Fine jacket. 4to-over 9¾"-12" tall. Hardcover in dust jacket., no flaws-clean, unmarked, tightly bound.; 447pp., 8 color plates, 226 b/w illustrations. very well received work from a scholar in the field of 19th and 20th century german art.
Add this copy of Art for All? the Collision of Modern Art and the Public to cart. $35.00, very good condition, Sold by House of Our Own rated 5.0 out of 5 stars, ships from Philadelphia, PA, UNITED STATES, published 2003 by Princeton University Press.
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Near Fine. 8 " x 10" Signed by Author. This is the first systematic, comprehensive study of the German art world in the last decades of the 19th century, based on reading in contemporary periodicals; it focuses on how critics and the public responded to new forms of painting that emerged in the 1880s, when the explosive growth of art exhibitions supported by local governments across a recently unified Germany was accompanied by greatly expanded attendance of a new mass public; it examines the social, cultural, and economic factors that led to the rapid acceptance and dominance of the new modern art in the 1890s; the success of modern art fragmented the art world as modern artists turned away from an often unreceptive public, leading to a growing alienation of the public from modern artists, and an increasing contempt for the public on the part of artists; includes a section of color plates and many illustrations from periodicals of the time (red, black, white & yellow cover with very slight edgewear, previous owner's name on half-title page, author's signature on title page; this is a very large, heavy volume)
Add this copy of Art for All? : the Collision of Modern Art and the to cart. $35.00, very good condition, Sold by Powell's Books Chicago rated 5.0 out of 5 stars, ships from Chicago, IL, UNITED STATES, published 2003 by Princeton University Press.
Add this copy of Art for All? : the Collision of Modern Art and the to cart. $36.50, new condition, Sold by Powell's Books Chicago rated 5.0 out of 5 stars, ships from Chicago, IL, UNITED STATES, published 2003 by Princeton University Press.