Pierrot Lunaire and Berio's Folk Songs, classics of the twentieth century repertoire, inhabit entirely different aesthetic spheres, but their pairing is apt; the earthiness of Folk Songs is an ideal foil to Pierrot's strange otherworldliness. Hearing them together is revelatory because the juxtaposition accentuates the strength and individuality of each, and somehow they just seem to fit musically. This recording is also unique in separating the three sections of Pierrot with jazz interludes played by pianist Maria Baptist. ...
Read More
Pierrot Lunaire and Berio's Folk Songs, classics of the twentieth century repertoire, inhabit entirely different aesthetic spheres, but their pairing is apt; the earthiness of Folk Songs is an ideal foil to Pierrot's strange otherworldliness. Hearing them together is revelatory because the juxtaposition accentuates the strength and individuality of each, and somehow they just seem to fit musically. This recording is also unique in separating the three sections of Pierrot with jazz interludes played by pianist Maria Baptist. Baptist uses material derived from Schoenberg's music, and the interludes flow smoothly, sometimes imperceptibly, out of and into the surrounding songs. They are not conventionally "jazzy" and have an intelligence and complexity reminiscent of Ligeti's Etudes. Konstantia Gourzi, who conceived of this pairing and the jazz interpolations, conducts the ensemble opus21musikplus. The performances are particularly vital -- instrumental details emerge with sometimes startling clarity --...
Read Less
Portions of content provided by Rovi Corporation. © 2024 Rovi Corporation.