Las Hijas Del Zebedeo, zarzuela: Carceleras. Al pensar en el dueño de mis amores
Werther, lyric drama in 4 acts: Act 3. Letter Scene. Werther... Werther... Qui m'aurait dit la place
Les contes d'Hoffmann, opera in 4 acts: Act 3. No. 15. Romance. Vois sous l'archet frémissant - C'est l'amour, l'amour vainqueur!
La cenerentola (Cinderella), opera: Act 2. Rondò finale. Nacqui all'affanno e al pianto
Bachianas Brasileiras No. 5, for voice & 8 cellos, A. 389: No. 1. Aria. Tarde, uma nuvem rósea lenta e transparente
La Grande-Duchesse de Gérolstein, operetta in 3 acts: Act 2. No. 3a. Ch?ur, Récit et Rondeau. Portez armes! - Vous aimez le danger - Ah, que j'aime les m
L'italiana in Algeri (The Italian Girl in Algiers), opera: Act 2. No. 11. Cavatina. Per lui che adoro
El cant dels ocells, Spanish song
Der Rosenkavalier, opera, Op. 59 (TrV 227): Act 3. Trio. Marie Theres! - Hab mir's gelobt
Der Rosenkavalier, opera, Op. 59 (TrV 227): Act 3. Duet. Ist ein Traum, kann nicht wirklich sein
After discs for Ondine and Virgin, Latvian mezzo soprano Elina Garanca made her Deutsche Grammophon debut in late 2006 with this disc called Aria Cantilena after the first movement of Villa-Lobos' Bachianas brasileiras No. 5. For the most part, the then-30-year-old Garanca stuck with the lighter end of the French and Italian repertoire -- Massenet's Werther, Rossini's La Cenerentola, and Offenbach's Les Contes d'Hoffman -- flirted twice with the lighter end of the Spanish repertoire -- Chapi's Al pensar and Montsalvatge's ...
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After discs for Ondine and Virgin, Latvian mezzo soprano Elina Garanca made her Deutsche Grammophon debut in late 2006 with this disc called Aria Cantilena after the first movement of Villa-Lobos' Bachianas brasileiras No. 5. For the most part, the then-30-year-old Garanca stuck with the lighter end of the French and Italian repertoire -- Massenet's Werther, Rossini's La Cenerentola, and Offenbach's Les Contes d'Hoffman -- flirted twice with the lighter end of the Spanish repertoire -- Chapi's Al pensar and Montsalvatge's Madrigal sobre un tema popular -- and only on the last track touched the heavier German repertoire with Strauss' Der Rosenkavalier. Her voice, while still youthful in tone, sounds darker in timbre than many other mezzos and her technique, while quite formidable if not completely indomitable, is secondary to her interpretations, which are very forceful and emotionally direct. This is not to say that Garanca's singing is spontaneous -- one gets the sense that every accent and inflection...
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Add this copy of Elina Garanca-Aria Cantilena to cart. $4.79, good condition, Sold by Books From California rated 4.0 out of 5 stars, ships from Simi Valley, CA, UNITED STATES, published 2007 by Deutsche Grammophon.
Add this copy of Elina Garanca-Aria Cantilena to cart. $7.12, like new condition, Sold by Streetlight_Records rated 5.0 out of 5 stars, ships from Santa Cruz, CA, UNITED STATES, published 2007 by Deutsche Grammophon.
