Presenting the first formulation of the central subject, this volume challenges major assumptions long held by Western art historians and provides new ways of thinking about, looking at, and understanding Byzantine art in its broadest geographic and chronological framework, from A.D. 300 to the early nineteenth century. Byzantine art abandoned classical ideals in favor of formulas that conveyed spiritual concepts through stylized physical forms. Scholarship dealing with Byzantine icons has previously been largely focused ...
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Presenting the first formulation of the central subject, this volume challenges major assumptions long held by Western art historians and provides new ways of thinking about, looking at, and understanding Byzantine art in its broadest geographic and chronological framework, from A.D. 300 to the early nineteenth century. Byzantine art abandoned classical ideals in favor of formulas that conveyed spiritual concepts through stylized physical forms. Scholarship dealing with Byzantine icons has previously been largely focused on depictions of holy figures, dismissing representations of architecture as irrelevant space-filling background. Architecture as Icon demonstrates that background representations of architecture are meaningful, active components of compositions, often as significant as the human figures. The book provides a critical view for understanding the Byzantine conception of architectural forms and space and the corresponding intellectual underpinnings of their representation. Introduced by four thought-provoking essays, the catalogue divides the material as included in the exhibition into four categories identified as: generic, specific, and symbolic representations, and a final grouping entitled "From Earthly to Heavenly Jerusalem." This handsomely illustrated volume addresses various approaches to depicting architecture in Byzantine art that contrast sharply with those of the Renaissance and subsequent Western artistic tradition.
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Add this copy of Architecture as Icon: Perception and Representation of to cart. $52.01, good condition, Sold by ZBK Books rated 4.0 out of 5 stars, ships from Woodland Park, NJ, UNITED STATES, published 2010 by Princeton University Art Museum.
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Pages and cover are intact. Used book in good and clean conditions. Limited notes marks and highlighting may be present. May show signs of normal shelf wear and bends on edges. Item may be missing CDs or access codes. May include library marks.
Add this copy of Architecture as Icon: Perception and Representation of to cart. $83.76, good condition, Sold by Midtown Scholar Bookstore rated 5.0 out of 5 stars, ships from Harrisburg, PA, UNITED STATES, published 2010 by Princeton University Art Museum.
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Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD Oversized. PAPERBACK.
Add this copy of Architecture as Icon: Perception and Representation of to cart. $122.70, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2010 by Princeton University Art Museu.
Add this copy of Architecture as Icon Perception and Representation of to cart. $2,470.00, new condition, Sold by BWS Bks rated 5.0 out of 5 stars, ships from Ferndale, NY, UNITED STATES, published 2010 by Museum; Yale University Press.
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New. 030012211X. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--376 pages; 206 illustrations. --with a bonus offer--
