Excerpt from Arabic Spain: Sidelights on Her History and Art Of Seville, for valuable notes on the history of Seville, and especially of the Alcazar and Cathedral; to Sir George Birdwood, LL.D etc.; Dr. A. J. Butler, and Mr. Alan C. Cole, c.b., for helpful information advice, and criticism; to Don Carlos Canale, Intendant of the Royal Alcazar of Seville, for permission for private study in the palace, extending over several years; to Dr. B. Glanvill Corney, for much useful information, obtained at considerable personal ...
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Excerpt from Arabic Spain: Sidelights on Her History and Art Of Seville, for valuable notes on the history of Seville, and especially of the Alcazar and Cathedral; to Sir George Birdwood, LL.D etc.; Dr. A. J. Butler, and Mr. Alan C. Cole, c.b., for helpful information advice, and criticism; to Don Carlos Canale, Intendant of the Royal Alcazar of Seville, for permission for private study in the palace, extending over several years; to Dr. B. Glanvill Corney, for much useful information, obtained at considerable personal trouble, and for assistance in correction of proofs; to M. Ai. Gayet, whose private letters as well as his books have been of great value to us: to Don Jos??? Gestoso, author of Sevilla monumental y artistica, for permission to reproduce some of the illustrations from that and others of his works; to Mr. M. Longworth-dames, of the Oriental and Numismatic Societies, for information on Andalucian numismatology and a translation of Ibn Hamdis' poem on the Alcazar of Seville; to Don Vergilio Mattoni, of the Seville School of Fine Arts, for permission to reproduce his painting of the death of San Fernando; to Major Nystrom, of the Swedish Royal Engineers, Lecturer on Architecture to the Swedish Army, for assisting us during a whole winter in our study of the Sevillian churches; to Don Carlos Pirozzini Marti, Secretary of the Archaeological Museum of Barcelona, for photographs of objects in the Museum, and permission to publish them; to the Rev. The Archdeacon of Seville, Don Luciano Rivaz, Visitor of the Diocesan Convents, for introductions to religious houses containing works of art hitherto unexamined; to the Rev. Don Manuel Serrano y Ortega, author of Glories Sevil Zanas, who placed at our disposal a mass of local data collected by himself from sources not accessible to laymen, besides photographs of certain works of sacred art not procurable through the ordinary channels and to the Rev. The Dean of Seville Cathedral, for admission to portions. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at ... This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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