A museum repository is comparable to the heart of an organism. Exploring a museum storeroom can provide insights that cannot be communicated in an exhibition. This is particularly true of anthropological museums. Thousands of objects in collections are summarised, titled, digitalised, hidden, or rediscovered here. In her photographic work about the storerooms of the Saxon State Ethnographic Collections, the Berlin-based artist Anja Nitz (*1971) confronts the collection's culture. Through her gaze, the boundaries between the ...
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A museum repository is comparable to the heart of an organism. Exploring a museum storeroom can provide insights that cannot be communicated in an exhibition. This is particularly true of anthropological museums. Thousands of objects in collections are summarised, titled, digitalised, hidden, or rediscovered here. In her photographic work about the storerooms of the Saxon State Ethnographic Collections, the Berlin-based artist Anja Nitz (*1971) confronts the collection's culture. Through her gaze, the boundaries between the collection's exponents and the work done in the museum's repository blur. Clad in their wrappings, objects from the collections are photographed in the places where they are kept. These photographs are eyewitnesses to the current debates about how to deal with the legacy of colonialism and provide some transparency about the current situations of repositories and collections at the anthropological museums in Leipzig, Dresden, and Herrnhut. Text in English and German.
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Add this copy of Anja Nitz: Depot to cart. $100.99, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2021 by Kerber.
Add this copy of Anja Nitz: Depot to cart. $141.98, new condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2021 by Kerber.
