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Anima Ęterna - Fatma Said (soprano); Francesco Corti (harpsichord); Francesco Corti (organ); Jakub Józef Orlinski (counter tenor);...
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  1. Barbara dira effera, motet for alto, 2 oboes, 2 bassoons, 2 violins, viola & continuo in F major, ZWV 164
  2. Il Fonte della salute, aperto dalla grazia nel calvario, oratorio: Aria: Non t'amo per il ciel (Il peccator contrito)
  3. Lętatus sum (Psalm 121), for soprano, alto, instruments & continuo in A major, ZWV 90
  4. La Giuditta, oratorio: Aria: Giusto Dio
  5. Il Davide triofante, oratorio: Aria: Un giusto furore che m'arde nel core
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  1. Barbara dira effera, motet for alto, 2 oboes, 2 bassoons, 2 violins, viola & continuo in F major, ZWV 164
  2. Il Fonte della salute, aperto dalla grazia nel calvario, oratorio: Aria: Non t'amo per il ciel (Il peccator contrito)
  3. Lętatus sum (Psalm 121), for soprano, alto, instruments & continuo in A major, ZWV 90
  4. La Giuditta, oratorio: Aria: Giusto Dio
  5. Il Davide triofante, oratorio: Aria: Un giusto furore che m'arde nel core
  6. Laudate pueri, motet for alto, chorus & orchestra
  7. Settings of "Amen" /"(H)alleluja, Amen" (9), hymn for soprano, HWV 269-277
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This album by countertenor Jakub Józef Orlinski is something of a sequel to the singer's debut album, Anima Sacra, released in 2018. Both releases include 18th century sacred arias, largely unknown ones, but there should be no suspicion of a lack of new inspiration here. Orlinski finds tremendous material, and if he wants to do a third album of the same stuff, listeners who appreciate exciting countertenor singing will be lining up for that as well. He begins with two works by the still underrated Jan Dismas Zelenka, with a ...

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