Ariadne auf Naxos, opera, Op. 60-I (TrV 228) (original version): Opera. Recitative & aria. Großmächtige Prinzessin... Noch glaub' ich dem einem ganz mich gehörend
Ariadne auf Naxos, opera, Op. 60-I (TrV 228) (original version): Prologue. Duet & aria. Kindskopf! Merkt auf, wir spielen mit in dem Stück
Ariadne auf Naxos, opera, Op. 60-I (TrV 228) (original version): Prologue. Duet & aria. An Ihre Plätze... Seien wir wieder gut
Songs (6) for voice & piano (or orchestra) ("Brentano Lieder"), Op. 68 (TrV 235): No. 2. Ich wollt'ein Sträußlein binden
Songs (6) for voice & piano (or orchestra) ("Brentano Lieder"), Op. 68 (TrV 235): No. 3. Säusle, liebe Myrte
Ariadne auf Naxos, opera, Op. 60-I (TrV 228) (original version): Opera. Recitative & aria. Großmächtige Prinzessin... Noch glaub' ich dem einem ganz mich gehörend
Ariadne auf Naxos, opera, Op. 60-I (TrV 228) (original version): Prologue. Duet & aria. Kindskopf! Merkt auf, wir spielen mit in dem Stück
Ariadne auf Naxos, opera, Op. 60-I (TrV 228) (original version): Prologue. Duet & aria. An Ihre Plätze... Seien wir wieder gut
Songs (6) for voice & piano (or orchestra) ("Brentano Lieder"), Op. 68 (TrV 235): No. 2. Ich wollt'ein Sträußlein binden
Songs (6) for voice & piano (or orchestra) ("Brentano Lieder"), Op. 68 (TrV 235): No. 3. Säusle, liebe Myrte
Songs (6) for voice & piano (or orchestra) ("Brentano Lieder"), Op. 68 (TrV 235): No. 4. Als mir dein Lied erklang
Songs (6) for voice & piano (or orchestra) ("Brentano Lieder"), Op. 68 (TrV 235): No. 5. Amor
Arabella, opera, Op. 79 (TrV 263): Act I. Duet. Ich danke, Fräulein... Aber der Richtige, wenn's einen gibt
Der Rosenkavalier, opera, Op. 59 (TrV 227): Act 2. Duet. Mir ist die Ehre widerfahren
Der Rosenkavalier, opera, Op. 59 (TrV 227): Act 3. Trio & final duet. Marie Theres', wie gut Sie ist
Der Rosenkavalier, opera, Op. 59 (TrV 227): Act 3. Trio & final duet. Ist ein Traum... Spür' nur dich
Natalie Dessay's Amor, a collection of operatic scenes and lieder of Richard Strauss, is anchored by her all-star turn in the role of Zerbinetta. It is one of her calling cards, and for good reason: her blend of attitude, sparkle, and vocal agility are perfectly matched to the part. Every phrase she utters effuses the manipulative charm at the heart of Zerbinetta's character, and her sparkling outbursts of coloratura are impressively clean and bell-like. Sophie Koch's opulent turn as the Composer makes her duet with ...
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Natalie Dessay's Amor, a collection of operatic scenes and lieder of Richard Strauss, is anchored by her all-star turn in the role of Zerbinetta. It is one of her calling cards, and for good reason: her blend of attitude, sparkle, and vocal agility are perfectly matched to the part. Every phrase she utters effuses the manipulative charm at the heart of Zerbinetta's character, and her sparkling outbursts of coloratura are impressively clean and bell-like. Sophie Koch's opulent turn as the Composer makes her duet with Zerbinetta sizzle with tension, and lends the character's petulant idealism emotional credibility. And Thomas Allen and Felicity Lott turn in predictably solid turns as the Primadonna and the Music Master; Lott sounds much younger than her years, and Allen infuses his singing with just the right amount of character without sacrificing the natural beauty of his voice. The Brentano Lieder are a good choice for Dessay, since they showcase her easy facility with coloratura and rarely sound too...
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Add this copy of Natalie Dessay-Amor (Opera Scenes and Lieder By Richard to cart. $8.49, new condition, Sold by St. Vinnie's Books rated 5.0 out of 5 stars, ships from Eugene, OR, UNITED STATES, published 2004 by Virgin.
Add this copy of Natalie Dessay-Amor (Opera Scenes and Lieder By Richard to cart. $11.09, new condition, Sold by BMC1701 rated 5.0 out of 5 stars, ships from Norwalk, IA, UNITED STATES, published 2004 by EMI Classics.
