As the center of the art world in the late nineteenth century, Paris was a magnet for American art students and artists. They flocked to the studios of French artists like Jean-Leon Gerome, William Bouguereau, and others, dreamed of showing their work at the annual Paris Salon, and watched intently as new styles such as Impressionism began to take hold. Hardly an American painter was unaffected by developments in Paris, and even those who chose not to study there wanted their work to be affirmed by French audiences and ...
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As the center of the art world in the late nineteenth century, Paris was a magnet for American art students and artists. They flocked to the studios of French artists like Jean-Leon Gerome, William Bouguereau, and others, dreamed of showing their work at the annual Paris Salon, and watched intently as new styles such as Impressionism began to take hold. Hardly an American painter was unaffected by developments in Paris, and even those who chose not to study there wanted their work to be affirmed by French audiences and taste makers. This beautifully illustrated book traces the role of American artists in Paris from the Salon des Refuses, in 1863, to the emergence of a uniquely American style of painting at the turn of the century. It includes iconic images by John Singer Sargent, James Abbott McNeill Whistler, Mary Cassatt, and Winslow Homer, and by many other artists whose names and work were more widely known then than now. Engaging essays written by notable scholars explore why artists were drawn to Paris, how they responded to what they found there, and what they retained of their experience. In addition, the significance of the "Expositions Universelles," the French view of American artists in Paris, and the role these artists played in shaping the great American collections of modern French painting are discussed. Featuring more than 100 paintings, the essays are followed by artists' biographies, an illustrated, annotated list of works, and a complete bibliography.
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Add this copy of Americans in Paris 1860-1900 (National Gallery London) to cart. $3.51, good condition, Sold by More Than Words rated 4.0 out of 5 stars, ships from Waltham, MA, UNITED STATES, published 2006 by National Gallery London.
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Add this copy of Americans in Paris 1860-1900 to cart. $5.27, good condition, Sold by ThriftBooks-Atlanta rated 5.0 out of 5 stars, ships from Brownstown, MI, UNITED STATES, published 2006 by National Gallery London.
Add this copy of Americans in Paris 1860-1900 to cart. $5.27, good condition, Sold by ThriftBooks-Baltimore rated 4.0 out of 5 stars, ships from Halethorpe, MD, UNITED STATES, published 2006 by National Gallery London.
Add this copy of Americans in Paris 1860-1900 to cart. $5.27, fair condition, Sold by ThriftBooks-Dallas rated 4.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 2006 by National Gallery London.
Add this copy of Americans in Paris 1860-1900 to cart. $5.27, fair condition, Sold by ThriftBooks-Baltimore rated 4.0 out of 5 stars, ships from Halethorpe, MD, UNITED STATES, published 2006 by National Gallery London.
Add this copy of Americans in Paris 1860-1900 (National Gallery Company) to cart. $7.73, very good condition, Sold by Wonder Book - Member ABAA/ILAB rated 5.0 out of 5 stars, ships from Frederick, MD, UNITED STATES, published 2006 by National Gallery London.
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Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.
Add this copy of Americans in Paris 1860-1900 to cart. $8.67, very good condition, Sold by BooksRun rated 5.0 out of 5 stars, ships from Philadelphia, PA, UNITED STATES, published 2006 by National Gallery London.
Add this copy of Americans in Paris 1860-1900 (National Gallery Company) to cart. $9.40, good condition, Sold by Midtown Scholar Bookstore rated 5.0 out of 5 stars, ships from Harrisburg, PA, UNITED STATES, published 2006 by National Gallery London.
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Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD Oversized.
Add this copy of Americans in Paris 1860-1900 to cart. $20.00, very good condition, Sold by Best and Fastest Books rated 5.0 out of 5 stars, ships from Wantage, NJ, UNITED STATES, published 2006 by National Gallery London.
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Very good copy, bindings and spine are solid, pages are clean and free of marks or notes, DJ intact, front/back covers and hinges are intact and free of marks and blemishes, very light reading and shelf wear, DJ has light edge wear, BONUS EPHEMERA INCLUDED.
Add this copy of Americans in Paris 1860-1900 to cart. $21.00, very good condition, Sold by Mullen Books, Inc. ABAA / ILAB rated 3.0 out of 5 stars, ships from Marietta, PA, UNITED STATES, published 2006 by National Gallery of London.
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VG/VG small ownership stamp inside, VG/VG-, crease at top front of dust jacket. Brown boards with color illustrated glossy dustjacket. 288 pp., profusely illustrated in color. A wonderful study with new scholarship and insights. Lists, illustrates and annotates over 100 works by your favorite artists, with many pictures drawn from private collections. As the center of the art world in the late nineteenth century, Paris was a magnet for American art students and artists. They flocked to the studios of French artists like Jean-Leon Gerome, William Bouguereau, and others, dreamed of showing their work at the annual Paris Salon, and watched intently as new styles such as Impressionism began to take hold. Hardly an American painter was unaffected by developments in Paris, and even those who chose not to study there wanted their work to be affirmed by French audiences and taste makers. This beautifully illustrated book traces the role of American artists in Paris from the Salon des Refuses, in 1863, to the emergence of a uniquely American style of painting at the turn of the century. It includes iconic images by John Singer Sargent, James Abbott McNeill Whistler, Mary Cassatt, and Winslow Homer, and by many other artists whose names and work were more widely known then than now. Engaging essays written by notable scholars explore why artists were drawn to Paris, how they responded to what they found there, and what they retained of their experience. In addition, the significance of the Expositions Universelles, the French view of American artists in Paris, and the role these artists played in shaping the great American collections of modern French painting are discussed. Featuring more than 100 paintings, the essays are followed by artists' biographies, an illustrated, annotated list of works, and a complete bibliography.
