"Insightful and profound."--Arthur P. Bourgeois, Governors State University, University Park, Illinois "More than just another exhibition catalogue. . . . The conceptual framework and orientation of the essay are original. [Poynor suggests] the complexity of African religious beliefs and the diversity of roles art plays in their manifestation."--Barbara Frank, SUNY-Stony Brook With dramatic color and black-and-white photographs of ninety-three pieces of art, African Art at the Harn Museum introduces the notable ...
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"Insightful and profound."--Arthur P. Bourgeois, Governors State University, University Park, Illinois "More than just another exhibition catalogue. . . . The conceptual framework and orientation of the essay are original. [Poynor suggests] the complexity of African religious beliefs and the diversity of roles art plays in their manifestation."--Barbara Frank, SUNY-Stony Brook With dramatic color and black-and-white photographs of ninety-three pieces of art, African Art at the Harn Museum introduces the notable collection of West African art from the Samuel P. Harn Museum of Art. In the traditional view of many Africans, the spiritual and temporal worlds depend upon each other for companionship and material well-being. As the inhabitants of either realm cross and recross their world boundaries, art objects function as intimate links between the two domains, allowing both spirit and human to see and to manipulate each other. This work specifically addresses the role of the art object--a bowl from Cameroon, a mask from Burkina Faso or Sierra Leone, an ancestral altar from Nigeria, a fertility figure from Ghana--as a medium through which each world gains entrance into the other. Poynor's essay presents each work in its geographic and cultural context. Line drawings and abundant field photographs enhance the text and support the idea that the objects assist communication between two worlds. Robin Poynor, associate professor of art at the University of Florida, is guest curator of the "Spirit Eyes, Human Hands" exhibition of the university's Samuel P. Harn Museum of Art. He is the former curator of the Tweed Museum at the University of Minnesota, Duluth. He has written principally on the art of the Yoruba Kingdom of Owo, Nigeria, where he did field research, and he has curated a number of exhibitions of African art, writing essays, catalogues, and display texts for the Metropolitan Museum of Art, Birmingham Museum of Art, and Indiana University Art Museum. He has published extensively in African Arts.
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Add this copy of African Art at the Harn Museum: Spirit Eyes, Human to cart. $13.64, like new condition, Sold by Zubal Books rated 4.0 out of 5 stars, ships from Cleveland, OH, UNITED STATES, published 1996 by University Press of Florida.
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Inscribed by the author; 237 pp., hardcover, fine in a fine dust jacket. -If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.
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Add this copy of African Art at the Harn Museum: Spirit Eyes, Human to cart. $15.00, very good condition, Sold by HPB-Movies rated 5.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 1996 by University Press of Florida.
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Add this copy of African Art at the Harn Museum: Spirit Eyes, Human to cart. $21.00, like new condition, Sold by Common Crow Books rated 5.0 out of 5 stars, ships from Pittsburgh, PA, UNITED STATES, published 1995 by University Press of Florida.
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Fine in Near fine jacket. Second printing, 1995, hardcover with copper cloth boards in dust jacket, small quarto, 221pp., illustrated in b&w and color. Book fine with handsome boards and tight binding, text clean bright and unmarked. DJ near fine with hint of rubbing. Exhibition catalog.
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Very Good in Very Good jacket. Size: 7x0x10; Copyright 1995 with full number line. Very good hardcover with DJ, from a personal collection (NOT ex-library). Binding is tight, sturdy, and square; very light wear to bright red cloth boards, gold gilt titling on spine remains bright and bold. Text is very good throughout. Interior appears free of markings. Unclipped dust jacket is very good with light shelfwear, there is red ink staining to the inside of the dust jacket. Jacket arrives wrapped in protective Mylar. Due to the size/weight of this book extra charges may apply for international shipping. Ships from Dinkytown in Minneapolis, Minnesota.
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Near Fine in Near Fine jacket. Signed by Author(s) Signed by author on title page, inscibed by Budd Harris Bishop on Foreward page, DJ lightly rubbed, otherwise very clean, tight and bright.
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