[Jean Mitry] is the Aristotle of film. --R.D. MacCann This text marks a watershed in film theory. Mitry sums up the first fifty years of theoretical writings on the cinema... --Richard Abel The rediscovery of Mitry could change the parameters of film teaching, breaking down the boundaries between the real and the formal, forcing us to see how they are inexorably fused together. --Leo Charney Christian Metz wrote that with this work, an entire era of film literature ends. Perhaps because it was so imposing, people like ...
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[Jean Mitry] is the Aristotle of film. --R.D. MacCann This text marks a watershed in film theory. Mitry sums up the first fifty years of theoretical writings on the cinema... --Richard Abel The rediscovery of Mitry could change the parameters of film teaching, breaking down the boundaries between the real and the formal, forcing us to see how they are inexorably fused together. --Leo Charney Christian Metz wrote that with this work, an entire era of film literature ends. Perhaps because it was so imposing, people like Metz turned in different directions--semiotics, structuralism, Marxism, psychoanalysis, and so on. --Charles Maland Jean Mitry's Aesthetics and Psychology of the Cinema presents a formalist, phenomenological approach to the aesthetics of cinema. It provides a historically interesting basis for a full-blown auteurist aesthetics, which continues to form the basis for a great deal of thinking about film. Mitry's book is also the basis out of which the semiotics of Christian Metz and others flourished in the late 1960's. It supplies the missing link between the classical film theorists like Balacz and Munsterberg and the film semioticians like Metz, who came later. Mitry is the apotheosis and grand summation of the psychological and formalist views of film. This one-volume condensation of the classic work concentrates purely on film matter. In it, Mitry discusses such topics as the film image, rhythm and montage, rhythm and moving shots, and time and space of the drama.
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Add this copy of Aesthetics and Psychology of the Cinema to cart. $13.11, fair condition, Sold by ThriftBooks-Dallas rated 5.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 2000 by Indiana University Press.
Add this copy of The Aesthetics and Psychology of the Cinema (the to cart. $13.43, good condition, Sold by 4everBAM rated 3.0 out of 5 stars, ships from parker, CO, UNITED STATES, published 2000 by Indiana University Press.
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Very Good. Size: 7x1x10; ***VERY GOOD*** Contains one or two pages of minor writing or highlights, and Underlines. Legible and in good shape. Minor to slightly heavy wears on cover from warehouse shelves. (Used so may not contain codes/CDs/Inserts that is included with the book.
Add this copy of The Aesthetics and Psychology of the Cinema to cart. $42.66, good condition, Sold by Anybook rated 5.0 out of 5 stars, ships from Lincoln, UNITED KINGDOM, published 1998 by Continuum International Publishing Group Ltd.
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This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 1050grams, ISBN: 9780485300840.
Add this copy of The Aesthetics and Psychology of the Cinema to cart. $50.00, very good condition, Sold by Moe's Books rated 5.0 out of 5 stars, ships from Berkeley, CA, UNITED STATES, published 1997 by Indiana University Press.
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Very good in Very good jacket. Jacket edges are worn. Spine is tight. Spine edges are bumped. Cover edges are slightly worn. Inside is clean and unmarked.
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Very Good in Very Good jacket. Very good, clean, tight condition. Text free of marks. Professional book dealer since 1999. All orders are processed promptly and carefully packaged.
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