In Accounting for Dante , Justin Steinberg reexamines Dante's relation to his contemporary public, an audience that included those poets who responded to Dante's early work as well as the readers who first copied, preserved, and circulated his poetry. Based on original research of manuscripts and documents, Steinberg's study reveals in particular the importance of professional, urban classes--namely, merchants and notaries--as cultivators of early Italian poetry. Although not officially trained as glossators or scribes, ...
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In Accounting for Dante , Justin Steinberg reexamines Dante's relation to his contemporary public, an audience that included those poets who responded to Dante's early work as well as the readers who first copied, preserved, and circulated his poetry. Based on original research of manuscripts and documents, Steinberg's study reveals in particular the importance of professional, urban classes--namely, merchants and notaries--as cultivators of early Italian poetry. Although not officially trained as glossators or scribes, these newly educated readers were full participants in an emergent vernacular literature, demonstrating at times a marked degree of sophistication in their choices of which lyric poems to include in their personal anthologies. Adapting their methods of memorializing contracts and keeping accounts to the collecting of medieval Italian poetry, these urban readers and writers made copying Italian poetry a crucial aspect of how they understood and represented themselves as individuals and communities. Steinberg describes how notaries and merchants transcribed Dante's poetry in nontraditional formats, such as in the archival documents of the Memoriali bolognesi and the register-book Vaticano Latino 3793 . In bringing to light evidence of the urban reception of the early Italian lyric, Justin Steinberg restores the political, social, and historical contexts in which Dante would have understood the poetic debates of his day. He also examines how Dante continuously responded in his literary career--from the Vita Nuova , to the De Vulgari eloquentia , to the Commedia --to the interpretations and misinterpretations of his early lyrics by this municipal audience.
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Add this copy of Accounting for Dante: Urban Readers and Writers in Late to cart. $34.98, very good condition, Sold by BooksRun rated 4.0 out of 5 stars, ships from Philadelphia, PA, UNITED STATES, published 2007 by University of Notre Dame Press.
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New. Print on demand Trade paperback (US). Glued binding. 248 p. Contains: Halftones, black & white. William and Katherine Devers Dante and Medieval Italian Literature, 8.
Add this copy of Accounting for Dante: Urban Readers and Writers in Late to cart. $48.12, new condition, Sold by Booksplease rated 4.0 out of 5 stars, ships from Southport, MERSEYSIDE, UNITED KINGDOM, published 2007 by University of Notre Dame Press.
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New. Trade paperback (US). Glued binding. 248 p. Contains: Halftones, black & white. William and Katherine Devers Dante and Medieval Italian Literature, 8.
Add this copy of Accounting for Dante: Urban Readers and Writers in Late to cart. $49.62, new condition, Sold by Kennys.ie rated 4.0 out of 5 stars, ships from Galway, IRELAND, published 2007 by University of Notre Dame Press.
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New. Examines Dante's relation to his contemporary public, an audience that included poets who responded to Dante's early work as well as those who first copied, preserved, and circulated his poetry. Based on research of manuscripts and documents, this study reveals the importance of professional, urban classes as cultivators of early Italian poetry. Num Pages: 232 pages, Illustrations. BIC Classification: 2ADT; DSBB; DSC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 166 x 15. Weight in Grams: 399. 2007. 1st Edition. Paperback.....We ship daily from our Bookshop.
Add this copy of Accounting for Dante: Urban Readers and Writers in Late to cart. $67.65, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2007 by University of Notre Dame Press.
