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A Summer's Day: Swedish Romantic Songs - Anne Sofie von Otter (mezzo-soprano); Bengt Forsberg (piano); Fredrik Zetterström (baritone)
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Track Listing
  1. Aftonen, for voice & piano
  2. Der schlummernde Amor, song for voice & piano
  3. Man tro? Jo jo!, for voice & piano
  4. Svanvits sang, for voice & piano
  5. Varning, song for voice & piano
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  1. Aftonen, for voice & piano
  2. Der schlummernde Amor, song for voice & piano
  3. Man tro? Jo jo!, for voice & piano
  4. Svanvits sang, for voice & piano
  5. Varning, song for voice & piano
  6. Nattviolen, for voice & piano
  7. Frieriet, for 2 voices & piano
  8. På gamla dagar, for 2 voices & piano
  9. Vaggvisa, song for voice & piano
  10. Blomplockerskan, for voice & piano
  11. Gräl och allt väl, for voice & piano
  12. Min politik, for voice & piano
  13. Skärslipargossen, for voice & piano
  14. En sommardag, for voice & piano
  15. Gubben vid vägen, song for voice & piano
  16. En ung flickas morgonbetraktelse, for voice & piano
  17. Bröllopsfärden, for voice & piano
  18. Romance (Jag minnes dig), for voice & piano
  19. Lebt wohl ihr Berge, for voice & piano
  20. Traum, for voice & piano
  21. A votre âge, for voice & piano
  22. En parcourant les doux climats, for voice & piano
  23. Den 4 Juli 1844 (Konung Oscar!), for voice & piano
  24. Jungfrun i rosengård, for voice & piano
  25. Jungfrun i det gröna, for voice & piano
  26. Synden, døden, for voice & piano
  27. Ich hab' im Traum geweinet, for voice & piano
  28. Um wunderschönen Monat Mai, for voice & piano
  29. Flickan i skogen, for voice & piano
  30. Ballade, for voice & piano
  31. Serenad, for voice & piano
  32. Majvisa, for voice & piano
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Listening to the songs on this release by famed Swedish mezzo soprano Annie Sofie von Otter, you might think they were in more or less chronological order; the last two of the five sets, by Franz Berwald (the only one of the composers known at all outside Sweden) and August Söderman, are in a much more advanced structural and harmonic idiom than the others. In fact, although Söderman's are the latest, those by Berwald, which you could take for a group of little-known quasi-dramatic pieces by Schubert, were written around ...

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