A Series of Four Paintings on Canvas Representing Romantic Italian Landscapes: French Works of Art of the XVIII Century Painted in 1795 by Hubert Robert (1733-1808) While He Was Director of the Louvre, from the Collection of the Late Comte de La Beraudie
A Series of Four Paintings on Canvas Representing Romantic Italian Landscapes: French Works of Art of the XVIII Century Painted in 1795 by Hubert Robert (1733-1808) While He Was Director of the Louvre, from the Collection of the Late Comte de La Beraudie
Excerpt from A Series of Four Paintings on Canvas Representing Romantic Italian Landscapes: French Works of Art of the XVIII Century Painted in 1795 The peaceful life Robert now lived won him back to his old robust health. A man of intense daring and bodily vigour and nerve, it was only necessary to dare him to some mad adventure to start him upon it. In Rome he is said to have climbed to the top of the Coliseum alone, without aid of ropes; to have walked the cornice of the dome of St. Peter's, and he narrowly escaped ...
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Excerpt from A Series of Four Paintings on Canvas Representing Romantic Italian Landscapes: French Works of Art of the XVIII Century Painted in 1795 The peaceful life Robert now lived won him back to his old robust health. A man of intense daring and bodily vigour and nerve, it was only necessary to dare him to some mad adventure to start him upon it. In Rome he is said to have climbed to the top of the Coliseum alone, without aid of ropes; to have walked the cornice of the dome of St. Peter's, and he narrowly escaped being lost in the Catacombs. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at ... This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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