Excerpt from A Day With John Milton Milton still retained much of that personal comeliness which had won him, at Cambridge, the nickname of Lady of Christ's College. His original red and white had now become a uniform pallor; his thick, light brown hair, parted at the top, and curling richly on his shoulders-{no close-cropt Roundhead this!) was beginning to fade towards grey. But his features were noble and symmetrical; he was well-built and well-proportioned; and he was justified in priding himself upon a personal ...
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Excerpt from A Day With John Milton Milton still retained much of that personal comeliness which had won him, at Cambridge, the nickname of Lady of Christ's College. His original red and white had now become a uniform pallor; his thick, light brown hair, parted at the top, and curling richly on his shoulders-{no close-cropt Roundhead this!) was beginning to fade towards grey. But his features were noble and symmetrical; he was well-built and well-proportioned; and he was justified in priding himself upon a personal appearance which he had never neglected or despised. In his own words, he was neither large nor small: at no time had he been considered ugly; and in youth, with a sword by his side, he had never feared the bravest. Such was the man who now, neatly dressed in black, was led into his study, upon the same floor as his bedroom, a small chamber hung with rusty green, - and there, seated in a large old elbow chair, received the morning salutations of his three daughters. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at ... This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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