Adagio for strings (or string quartet), Op. 11 (arr. from 2nd mvt. of String Quartet)
Concierto de Aranjuez, for guitar & orchestra: II. Adagio (opening)
Symphony No. 6 in F major ("Pastoral"), Op. 68: I. Allegro non troppo - Awakening of happy fellings on arriving in the country
Piano Concerto No. 21 in C major ("Elvira Madigan") K. 467: II. Andante
Orchestral Suite No. 3 in D major, BWV 1068: II. Air
Suite for keyboard (Suite de piece), Vol.2, No.4 in D minor, HWV 437: IV. Sarabande
Canon in D major, instrumental arrangement
Adagio, for violin, strings & organ in G minor, T. Mi 26 (composed by Remo Giazotto; not by Albinoni): (extract)
Concerto for 2 violins, strings & continuo in D minor ("Double"), BWV 1043: II. Largo, ma non tanto
Clarinet Concerto in A major, K. 622: II. Adagio
Symphony No. 7 in A major, Op. 92: II. Allegretto (extract)
Enigma Variations, for orchestra, Op. 36: IX. Nimrod
Symphony No. 5 in C sharp minor: IV. Adagietto (conclusion)
Cantata No. 147, "Herz und Mund und Tat und Leben," BWV 147 (BC A174): Jesu, Joy of Man's Desiring
Zadok the Priest, coronation anthem No. 1 for chorus & orchestra, HWV 258
Cantata No. 140, "Wachet auf, ruft uns die Stimme," BWV 140 (BC A166): Wachet auf, ruft uns die Stimme
Miserere mei Deus (Psalm 51), motet for chorus: (extract)
Deutsche Messe (German Mass), for mixed chorus, wind ensemble & organ, D. 872: V. Zum Sanctus: Heilig! heilig! heilig!
Requiem, for 2 solo voices, chorus, organ & orchestra, Op. 48: IV. Pie Jesu
Requiem, for 2 solo voices, chorus, organ & orchestra, Op. 48: VII. In Paradisum
Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1): Sanctus
Vesperae solennes de confessore, for soloists, chorus & orchestra, K. 339: Laudate Dominum
Cantique de Jean Racine, for 4-part chorus & organ (or orchestra), Op. 11
Ave verum corpus, motet for chorus, strings & organ, K. 618
Requiem Mass, for soloists, chorus & orchestra ("Manzoni Requiem"): IX. Ingemisco
Messiah, oratorio, HWV 56: Part 3: I know that my Redeemer liveth
L'Enfance du Christ, oratorio for soprano, 2 tenors, baritone, 3 basses, chorus & orchestra ("trilogie sacrée") H. 130 (Op. 25): Part 2: The Shepherds' Farewell
Die Schöpfung (The Creation), oratorio, H. 21/2: Part 1: The heavens are telling
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