Bud Freeman was virtually the only key tenor saxophonist of the 1928-35 period who did not sound heavily influenced by Coleman Hawkins. Freeman, whose style fell between Dixieland and swing and who has long had a distinctive sound, is heard on this Classics CD at the head of several classic groups. There are two titles from 1928 with an octet also including obscure trumpeter Johnny Mendel, pianist Dave North, drummer Gene Krupa and (on "Can't Help Lovin' That Man") singer Red McKenzie. While those performances have early ...
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Bud Freeman was virtually the only key tenor saxophonist of the 1928-35 period who did not sound heavily influenced by Coleman Hawkins. Freeman, whose style fell between Dixieland and swing and who has long had a distinctive sound, is heard on this Classics CD at the head of several classic groups. There are two titles from 1928 with an octet also including obscure trumpeter Johnny Mendel, pianist Dave North, drummer Gene Krupa and (on "Can't Help Lovin' That Man") singer Red McKenzie. While those performances have early examples of Freeman's style, the tenor's sound was very much formed by the time of the 1935 sextet date with the brilliant trumpeter Bunny Berigan; Bud and Bunny made for an exciting team. The bulk of this CD features Freeman in prime form jamming in a trio with pianist Jess Stacy and drummer George Wettling; these versions of "You Took Advantage of Me," "I Got Rhythm," "Keep Smiling at Trouble" and "My Honey's Loving Arms" are definitely classics. Also on this CD are five numbers on which Freeman leads an all-star octet also including cornetist Bobby Hackett, clarinetist Pee Wee Russell, Stacy and Eddie Condon. Although this music has been reissued in many different settings through the years, it is certainly essential (in one form or another) to all historical jazz collections. ~ Scott Yanow, Rovi
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Add this copy of 1928-38 to cart. $11.97, very good condition, Sold by Book Alley rated 4.0 out of 5 stars, ships from Pasadena, CA, UNITED STATES, published 1994 by Jazz Chronological Classics.
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