Zadok the Priest, coronation anthem No. 1 for chorus & orchestra, HWV 258
The Prince of Denmark's March (Trumpet Voluntary) for brass, winds & percussion (or keyboard or trumpet & organ) in D major
Lachrimae antiquae, for 5 viols/violins & lute (from "Lachrimae")
Abdelazer, or, the Moor's Revenge, incidental music, Z. 570: Rondeau
Spem in Alium (also set as "Sing and glorify"), motet for 40 voices, P. 299
With lilies white, consort song for voice & 4 viols
Dido and Aeneas, opera, Z. 626: Overture
Dido and Aeneas, opera, Z. 626: Act 3. Your counsel all... Great minds... Thy hand, Belinda... When I am laid in earth... With droo
Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: Symphony - Come, ye sons of art, away - Sound the trumpet - Come, ye sons of art
O solitude, my sweetest choice, song, Z. 406
Solomon, oratorio, HWV 67: Arrival of the Queen of Sheba
Messiah, oratorio, HWV 56: Hallelujah
Messiah, oratorio, HWV 56: He was despised
Water Music Suite No. 2 for orchestra in D major, HWV 349: Overture - Hornpipe
Serse (Xerxes), opera, HWV 40: Ombra mai fu
Dixit Dominus, hymn for soloists, chorus & orchestra in G minor, HWV 232
Giulio Cesare in Egitto, opera, HWV 17: Dall'ondoso periglio... Aure, deh, per pieta
Alcina, opera, HWV 34: Verdi prati
La favola d'Orfeo, opera, SV 318: Sinfonia
Altri canti d'amor, dramatic madrigal for 6 voices, 2 violins & 4 violas (from Book 8), SV 146
Work(s): Beatus vir
L'incoronazione di Poppea, opera in 3 acts, SV 308: Pur ti miro
Adagio, for violin, strings & organ in G minor, T. Mi 26 (composed by Remo Giazotto; not by Albinoni)
Miserere mei Deus (Psalm 51), motet for chorus:
Work(s): Sonata pian' e forte
Violin Concerto, for violin, strings & continuo in G minor ("L'estate"), RV 315, Op. 8/2 (The Four Seasons; "Il cimento" No. 2): 1. Allegro - 2. Adagio - 3. Presto
Gloria, for 3 solo voices, chorus, trumpet, oboe, violin (ad lib), 2 violas, 2 cellos, strings & continuo in D major, RV 589
Oboe Concerto in C minor, SF. 799 (attributed to A. Marcello): 2. Adagio
Work(s): Guitar Quintet in E~3. Menuetto
Keyboard Sonata in D minor ("Pastorale"), K. 9 (L. 413)
Stabat mater, for soprano, alto, strings & organ in F minor: opening
Double Mandolin Concerto, for 2 mandolins, strings & continuo in G major, RV 532: 1. Allegro
Work(s): Crucifixus
Sonata for violin & continuo in G minor, B. g5 ("The Devil's Trill"): 3. Allegro
Violin Concerto, for violin, strings & continuo in E major ("La Primavera"), RV 269, Op. 8/1 (The Four Seasons; "Il cimento" No. 1)
Piccolo (Flautino) Concerto, for piccolo (or recorder/flute), strings & continuo in C major, RV 444: 1. Allegro
Work(s): Fandango
O vos omnes, responsory for 4 voices
Diferencias sobre las Folias (from Ramillete oloroso)
Ay luna que reluzes
Pavan and galliard d'Alexandra, for vihuela
Marche de triomphe avec des trompettes et des timbales, for chorus & orchestra
Marche de triomphe avec des trompettos et des timbales, for orchestra
Premičre Marche des Mousquetaires, for orchesetra, LWV 10
Symphonies du Festin Royal, Suite No 4, Nos 1-11, complete: Contredanse
Marche de triomphe, for instruments, H. 547
Les Symphonies de M de La Lande pour les soupers du Roy, for orchestra, S. 155-72: Caprice de Villers-Cotterets
Chaconne for orchestra, S. 173/2
Prélude pour le Te Deum ŕ 8, for strings, H. 145a
Mass for the convents (Messe pour les couvents), for organ: Offertoire sur les grands jeux
Work(s): Regina coeli
Panis angelicus, motet for alto, tenor, bass & continuo, C. 131
Requiem Mass: Introit (extract)
In convertendo, grand motet for soloists, chorus, 2 flutes, 2 horns, violin, viola & continuo: Tunc repletum est gaudio nostrum
Suite for theorbo in C minor: La Plainte, ou le Tombeau de Mesdemoiselles de Visée, filles de l'auteur
EMI's collection 100 Best Baroque includes a generous 460 minutes of some of the most familiar works or movements from works written during the Baroque era. There is a good mix of genres, including works for orchestra, chorus, chamber ensemble, voice, and keyboard. The album is neatly organized by nationality, with composers representing England, Italy, France, Spain, and Germany. Drawn from EMI's deep archive, the performances are top of the line, featuring musicians outstanding in their fields, including Gustav Leonhardt ...
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EMI's collection 100 Best Baroque includes a generous 460 minutes of some of the most familiar works or movements from works written during the Baroque era. There is a good mix of genres, including works for orchestra, chorus, chamber ensemble, voice, and keyboard. The album is neatly organized by nationality, with composers representing England, Italy, France, Spain, and Germany. Drawn from EMI's deep archive, the performances are top of the line, featuring musicians outstanding in their fields, including Gustav Leonhardt, Jordi Savall, Andrew Parrott, Christophe Rousset, Monica Huggett, Sharon Isbin, Christian Tetzlaff, David Daniels, and Patricia Petibon. The sound is clean and clear throughout. ~ Stephen Eddins, Rovi
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Add this copy of 100 Best Baroque to cart. $5.99, very good condition, Sold by HPB-Diamond rated 4.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 2006 by EMI Classics.
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