10 Days Out may well be Kenny Wayne Shepherd's most important and intriguing album, even though the guitarist is hardly the featured artist on any of these tracks, working instead more as a sideman and facilitator for the impressive cast of venerable blues players who get a chance to shine here. Make no mistake about it, this recording belongs to such senior citizens as Henry Townsend, Etta Baker, Pinetop Perkins, and Henry Gray, and Shepherd's presence (and the presence of Stevie Ray Vaughan's Double Trouble rhythm section ...
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10 Days Out may well be Kenny Wayne Shepherd's most important and intriguing album, even though the guitarist is hardly the featured artist on any of these tracks, working instead more as a sideman and facilitator for the impressive cast of venerable blues players who get a chance to shine here. Make no mistake about it, this recording belongs to such senior citizens as Henry Townsend, Etta Baker, Pinetop Perkins, and Henry Gray, and Shepherd's presence (and the presence of Stevie Ray Vaughan's Double Trouble rhythm section of bassist Tommy Shannon and drummer Chris Layton) simply helps to focus the attention on these veteran blues players. Shepherd embarked on a ten-day journey into the American South in 2004 with a documentary film crew, a portable recording studio, and Double Trouble as a house band in an effort to catch the blues in its natural habitat of living rooms, kitchens, porches, back yards, and local watering holes, and the performances that resulted are priceless. Here is one-armed harp player Neal Pattman and blind guitarist Cootie Stark turning in a joyous, ramshackle version of "Prison Blues." A little later, Stark delivers further on a delightful song called "U-Haul," complete with a marvelous improvised rap over the tune's run-out coda. Here, too, is the then-96-year-old Henry Townsend turning in a poignant "Tears Came Rollin' Down." Etta Baker, then 93, shows that age hadn't slowed her as a guitarist at all as she delivers an elegant "Knoxville Rag." Shepherd wisely stays in the background on cut after cut, allowing these amazing musical treasures to unfold naturally and without intrusive elements. There are absolutely no hotshot guitar histrionics anywhere on this disc, which speaks to Shepherd's sincere vision for this project. He's after the preservation of blues history with 10 Days Out, and as if to underscore that aim, five of the album's participants (Neal Pattman, Cootie Stark, Gatemouth Brown, George "Wild Child" Butler, and Etta Baker) passed away before the album and concurrent documentary film were finally completed and released in 2007. Shepherd's name may be above the title, but he knows full well to whom this album belongs, and to his immense credit, those are the voices he lets speak the loudest. ~ Steve Leggett, Rovi
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Add this copy of 10 Days Out: Blues From the Backroads to cart. $3.90, good condition, Sold by GW Spokane Books rated 5.0 out of 5 stars, ships from Spokane, WA, UNITED STATES, published 2007 by Reprise.
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Seller's Description:
Condition: GOOD-Disc(s) used with some wear from use. May include minor surface scratches on disc(s), wear to case which could include cracks, scratches, or stickers. Hub and case locks may be broken. Digital codes NOT guaranteed/may be redeemed. All orders ship via UPS Mail Innovations-MAY TAKE UP TO 10 BUSINESS DAYS from first scan to be delivered.
Add this copy of 10 Days Out: Blues From the Backroads to cart. $5.49, fair condition, Sold by St. Vinnie's Books rated 5.0 out of 5 stars, ships from Eugene, OR, UNITED STATES, published 2007 by Reprise.
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Acceptable. AudioCD 100% of proceeds go to charity! The item plays perfectly, but is otherwise the worse for wear. May have cosmetic damage to case and/or item. This is a well loved item that has obvious condition issues.
Add this copy of 10 Days Out: Blues From the Backroads to cart. $8.20, very good condition, Sold by Salzer's Records rated 5.0 out of 5 stars, ships from ventura, CA, UNITED STATES, published 2007 by Reprise / Wea.
I was very impressed with this cd and dvd. You should watch the dvd first. Then you know who you are listening to and the setting it was recorded in. It was filmed in places the artists were comfortable. It is genuine and heartwarming to hear the stories and background of the artists and their music. To his credit, Kenny never shows off even though we know he can. I got to meet some of these artists and thought the film showed them in their own unique light. Like Gatemouth telling it like it was. Pure Gatemouth. He was tough. I also discovered a new artist to me, Buddy Flett. What a great blues sound. And so unassuming. What a great set. A must have!!!!!
