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À sa guitare - Philippe Jaroussky (counter tenor); Thibaut Garcia (guitar)
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Track Listing
  1. À sa guitare, for voice & piano (or harp), FP 79a
  2. Come again, sweet love doth now invite, for 4 voices & lute (First Book of Songs)
  3. Caro mio ben, for voice & piano (or orchestra)
  4. Chi desia di saper, for voice & continuo
  5. El mirar de la maja, song for soprano & piano (Tonadillas al estilo antiguo, No. 6), H. 136/6
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  1. À sa guitare, for voice & piano (or harp), FP 79a
  2. Come again, sweet love doth now invite, for 4 voices & lute (First Book of Songs)
  3. Caro mio ben, for voice & piano (or orchestra)
  4. Chi desia di saper, for voice & continuo
  5. El mirar de la maja, song for soprano & piano (Tonadillas al estilo antiguo, No. 6), H. 136/6
  6. Erlkönig ("Wer reitet so spät"), song for voice & piano, D. 328 (Op. 1)
  7. Sarabande for guitar, FP 179
  8. Septembre, song
  9. If music be the food of love, song, Z. 379 (3 settings)
  10. In darkness let me dwell, for voice, lute & bass viol (A Musicall Banquet)
  11. Manhã de carnaval (Morning of the Carnival), song (a.k.a. "La chanson d'Orphée")
  12. Xôdó da Baiana, for guitar
  13. Abendempfindung an Laura ("Abend ist's"), song for voice & piano, K. 523
  14. Nel cor più non mi sento, aria from "La molinara"
  15. Alfonsina y el mar, for guitar
  16. Au bord de l'eau ("S'asseoir tous deux au bord du flot"), song for voice & piano, Op. 8/1
  17. Nocturne, song for voice & piano in E flat major, Op. 43/2
  18. Tancredi, opera: Di tanti palpiti
  19. La Cumparsita, for tango orchestra
  20. Dido and Aeneas, opera, Z. 626: When I Am Laid in Earth (Nahum Tate)
  21. Anda, jaleo, for voice & guitar
  22. Folksong Arrangements, Vol. II "France," for voice & piano: Il est quelqu'un sur terre
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The recordings of countertenor Philippe Jaroussky have grown increasingly adventurous, extending well into repertory beyond what was intended or even conceivable for the countertenor voice. Guitar recordings as a group are often eclectic, ranging from Renaissance repertory to flamenco to popular song and more. With À sa guitare, however, Jaroussky and guitarist Thibaut García seem to have pushed themselves to pursue the principle of eclecticism to near its limits. The challenge is perhaps greater for Jaroussky, who is a bit ...

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