The potent personal charisma of Valery Gergiev is obviously well-suited to powerhouse classics, and nowhere are his bigger-than-life expressions better suited than in the symphonies of Gustav Mahler, which the London Symphony Orchestra released as separate SACDs on its LSO Live label between 2008 and 2011. The nine completed symphonies and the Adagio from the unfinished Tenth receive intense, committed readings, and the music is handled for the most part with great clarity of details and heightened emotions, which work in ...
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The potent personal charisma of Valery Gergiev is obviously well-suited to powerhouse classics, and nowhere are his bigger-than-life expressions better suited than in the symphonies of Gustav Mahler, which the London Symphony Orchestra released as separate SACDs on its LSO Live label between 2008 and 2011. The nine completed symphonies and the Adagio from the unfinished Tenth receive intense, committed readings, and the music is handled for the most part with great clarity of details and heightened emotions, which work in Mahler's technically demanding and psychologically complex scores. Gergiev is at his best in his performances of the Sixth, Seventh, and Ninth, where the hypercharged atmosphere of the music matches his fiery temperament wonderfully. Less successful, though admirable in many ways, are the recordings of the First, Second, and Fifth, which are driven and volatile where they need to be, but sufficiently relaxed in their slow movements to show Gergiev's flexibility. However, this set has...
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