For this updated edition of one of Shakespeare's most problematic plays, Tom Lockwood has added a new introductory section on the latest scholarly trends, performance and adaptation practices which have occurred over the last two decades. Investigating the latest critical frames through which the play has been interpreted, the updated introduction also focuses on recent international performances on stage and screen (including Al Pacino's performances on film and in Daniel Sullivan's production in New York, the Habima ...
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For this updated edition of one of Shakespeare's most problematic plays, Tom Lockwood has added a new introductory section on the latest scholarly trends, performance and adaptation practices which have occurred over the last two decades. Investigating the latest critical frames through which the play has been interpreted, the updated introduction also focuses on recent international performances on stage and screen (including Al Pacino's performances on film and in Daniel Sullivan's production in New York, the Habima National Theatre's production for the Globe to Globe Festival, Jonathan Munby's touring production for the Globe performed in London, New York and Venice, and Rupert Goold's production for the Royal Shakespeare Company). Finally, new forms of adaptation are considered: a performance transposed to the different generic mode of a New York auction room, and the remaking of the play in Howard Jacobson's 2016 novel, Shylock Is my Name.
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Add this copy of The Merchant of Venice to cart. $67.16, new condition, Sold by Ingram Customer Returns Center rated 5.0 out of 5 stars, ships from NV, USA, published 2018 by Cambridge University Press.
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"The Merchant of Venice" is often condemned for its look at the Jewish community during Shakespeare's day, but it is sadly accurate to that time: antisemitism was rife across Europe and the feelings expressed by characters are ones that were felt by most of the non-Jewish society. It may disturb readers on this side of the Holocaust to read a play that portrays the Jew as the stereotypical hard-nosed banker, but it must at least be recognized that the sentiments expressed here were, however wrong, accurate to the age.
As for the rest of the play, it has some memorable characters (such as Portia, the heroine), a light-hearted brand of romance, and a few parts of comedy that lighten up the story considerably. The style was enjoyable and, if you can view the antisemitism without taking too much offence, the play is worth reading.
Welly
Nov 8, 2007
Political Incorrectness
In recent years it seems to have become almost obligatory for those who would wish to be thought 'right-minded' to condemn this play as 'racist'. It is not. This is a play ABOUT racism and racial hostility. Shakespeare never approves or condemns what his characters say; he is only interested in why they say what they say.