William Eggleston's Guide was the first one-man show of colour photographs ever presented at The Museum of Modern Art, New York, and the Museum's first publication of colour photography. The reception was divided and passionate. The book and show unabashedly forced the art world to deal with colour photography, a medium scarcely taken seriously at the time, and with the vernacular content of a body of photographs that could have been but definitely weren't some average person's Instamatic pictures from the family album. ...
Read More
William Eggleston's Guide was the first one-man show of colour photographs ever presented at The Museum of Modern Art, New York, and the Museum's first publication of colour photography. The reception was divided and passionate. The book and show unabashedly forced the art world to deal with colour photography, a medium scarcely taken seriously at the time, and with the vernacular content of a body of photographs that could have been but definitely weren't some average person's Instamatic pictures from the family album. These photographs heralded a new mastery of the use of colour as an integral element of photographic composition. Bound in a textured cover inset with a photograph of a tricycle and stamped with yearbook-style gold lettering, the Guide contained 48 images edited down from 375 shot between 1969 and 1971 and displayed a deceptively casual, actually superrefined look at the surrounding world. Here are people, landscapes and odd little moments in and around Eggleston's home town of Memphis - an anonymous woman in a loudly patterned dress and cat's eye glasses sitting, left leg slightly raised, on an equally loud outdoor sofa; a coal-fired barbecue shooting up in flames, framed by a shiny silver tricycle; the curves of a gleaming black car fender, and someone's torso; a tiny, grey-haired lady in a faded, flowered housecoat, standing expectant, and dwarfed in the huge dark doorway of a mint-green room whose only visible furniture is a shaded lamp on an end table. For this edition of William Eggleston's Guide, The Museum of Modern Art has made new colour separations from the original 35mm slides, producing a facsimile edition in which the colour will be freshly responsive to the photographer's intentions.
Read Less
Add this copy of William Eggleston's Guide to cart. $27.09, new condition, Sold by GreatBookPrices rated 4.0 out of 5 stars, ships from Columbia, MD, UNITED STATES, published 2002 by Museum of Modern Art.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
New. Sewn binding. Cloth over boards. 112 p. Contains: Illustrations. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
Add this copy of William Eggleston's Guide to cart. $27.10, new condition, Sold by Alibris rated 5.0 out of 5 stars, ships from NV, USA, published 2002 by Museum of Modern Art.
Add this copy of William Eggleston's Guide to cart. $28.44, new condition, Sold by Ingram Customer Returns Center rated 5.0 out of 5 stars, ships from NV, USA, published 2002 by Museum of Modern Art.
Add this copy of William Eggleston's Guide (Hardback Or Cased Book) to cart. $31.72, new condition, Sold by BargainBookStores rated 3.0 out of 5 stars, ships from Grand Rapids, MI, UNITED STATES, published 2002 by Museum of Modern Art.
Add this copy of William Eggleston's Guide to cart. $34.89, new condition, Sold by Ria Christie Books rated 5.0 out of 5 stars, ships from Uxbridge, MIDDLESEX, UNITED KINGDOM, published 2002 by Museum of Modern Art.
I'm not sure William Eggleston's work is for everyone. He doesn't seem interested in prettiness, or compositional elegance, or finding abstract patterns in the visual world. (Nor does ugliness or the unusual seem to attract him.) But I've always found that the seemingly banal scenes of everyday people and places have a disturbing, compelling presence and fascination. An old dog, a plastic bottle, a billboard, a wall, everything in his photographs seem to insist on your attention. There's nothing mere about existence in his world; everything he looks at seems to exist vividly. Of course it takes a tremendous amount of intellect and skill to accomplish this, there's nothing random about it. He's just after bigger game than any other photographer I can think of. I would bet that people who are excited by the idea that just existing in this universe amounts to a great adventurous event would find his work a vindication of their belief.