From concept to character, from opening scene to finished script.. Here are easily understood guidelines to make film-writing accessible to novices and to help practiced writers improve their scripts. Syd Field pinpoints the structural and stylistic elements essential to every good screenplay. He presents a step-by-step, comprehensive technique for writing the script that will succeed. -Why are the first ten pages of your script crucially important? -How do you collaborate successfully with someone else? -How do you ...
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From concept to character, from opening scene to finished script.. Here are easily understood guidelines to make film-writing accessible to novices and to help practiced writers improve their scripts. Syd Field pinpoints the structural and stylistic elements essential to every good screenplay. He presents a step-by-step, comprehensive technique for writing the script that will succeed. -Why are the first ten pages of your script crucially important? -How do you collaborate successfully with someone else? -How do you adapt a novel, a play, or an article into a screenplay? -How do you market your script?
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Add this copy of Screenplay: the Foundations of Screenwriting; a Step-By to cart. $1.17, good condition, Sold by Orion Tech rated 5.0 out of 5 stars, ships from Arlington, TX, UNITED STATES, published 1984 by Dell.
Add this copy of Screenplay: the Foundations of Screenwriting; a Step-By to cart. $1.25, fair condition, Sold by Once Upon A Time Books rated 3.0 out of 5 stars, ships from Tontitown, AR, UNITED STATES, published 1984 by Dell.
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Syd Field who is heralded as a 'Messiah' of screenplay writing and has manifold votaries testifying to the popularity of his cult has written with ?Screenplay? what can only be described a book full of heresies.
Not only is his book written in a style that is replete with tautologous phrases annoyingly dispersed every couple of pages, it lacks intellectual substance and rigour and is written with only simpletons in mind. His examples are few and are purpose picked to support the tenuous thesis of his own 'paradigm' and anyone with any knowledge of films and a broad literacy of cinema can see that the same old Aristotelian dogmatism is adhered to in spite of theories and practice to the contrary. Syd Field is a proponent of what I would term Hollywood 'Catholicism' where dogma is blindly adhered to and preached from the pulpit despite evidence to the contrary.
Syd Fields ?Screenplay? is nothing more than a Hollywoodized catechism that demands refutation and yet, even after thirty years, is still blindly and detrimentally pursued.