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Wilhelm Kempff Plays Bach Piano Transcriptions ()

performed by
composed by Christoph Willibald Gluck, Johann Sebastian Bach, Wilhelm Kempff

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Wilhelm Kempff Plays Bach Piano Transcriptions - Wilhelm Kempff (piano)
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  1. Nun komm der Heiden Heiland, transcription for piano (after J. S. Bach BWV 659a)
  2. Es ist gewisslich an der Zeit, transcription for piano (after J.S. Bach, BWV307)
  3. Siciliano from Flute Sonata in E major, transcription for piano (after J. S. Bach BWV 1031)
  4. Befiehl du deine Wege, transcription for piano (after J. S. Bach's, BWV 727)
  5. Jesu bleibet meine Freude, transcription for piano (after J.S. Bach, BWV 147)
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  1. Nun komm der Heiden Heiland, transcription for piano (after J. S. Bach BWV 659a)
  2. Es ist gewisslich an der Zeit, transcription for piano (after J.S. Bach, BWV307)
  3. Siciliano from Flute Sonata in E major, transcription for piano (after J. S. Bach BWV 1031)
  4. Befiehl du deine Wege, transcription for piano (after J. S. Bach's, BWV 727)
  5. Jesu bleibet meine Freude, transcription for piano (after J.S. Bach, BWV 147)
  6. In dulci jubilo, transcription for piano (after J. S. Bach, BWV 751)
  7. Sinfonia from Wir danken dir, transcription for piano (after J.S. Bach, BWV 29)
  8. Wachet auf! ruft uns die Stimme, transcription for piano (after Bach, BWV 645)
  9. Largo from Concerto in F minor, transcription for piano (after J. S. Bach, BWV 1056)
  10. Ich ruf zu dir Herr Jesus Christus, transcription for piano (after J. S. Bach, BWV 639)
  11. Orphée et Eurydice (French version), opera in 3 acts, Wq. 41: Plainte d'Orphée
  12. Orphée et Eurydice (French version), opera in 3 acts, Wq. 41: Danse des ombres heureuses
  13. English Suite, for keyboard No. 3 in G minor, BWV 808 (BC L15)
  14. French Suite, for keyboard No. 5 in G major, BWV 816 (BC L23)
  15. Prelude and Fugue, for keyboard No. 4 in C sharp minor, BWV 849 (BC L83) (WTC I/4)
  16. Prelude and Fugue, for keyboard No. 9 in E major, BWV 854 (BC L88) (WTC I/9)
  17. Prelude and Fugue, for keyboard No. 10 in E minor, BWV 855 (BC L89) (WTC I/10)
  18. Prelude and Fugue, for keyboard No. 11 in F major, BWV 856 (BC L90) (WTC I/11)
  19. Prelude and Fugue, for keyboard No. 12 in F minor, BWV 857 (BC L91) (WTC I/12)
  20. Prelude and Fugue, for keyboard No. 13 in F sharp major, BWV 858 (BC L92) (WTC I/13)
  21. Prelude and Fugue, for keyboard No. 14 in F sharp minor, BWV 859 (BC L93) (WTC I/14)
  22. Prelude and Fugue, for keyboard No. 3 in C sharp major, BWV 872 (BC L106) (WTC II/3)
  23. Prelude and Fugue, for keyboard No. 6 in D minor, BWV 875 (BC L109) (WTC II/6)
  24. Prelude and Fugue, for keyboard No. 7 in E flat major, BWV 876 (BC L110) (WTC II/7)
  25. Prelude and Fugue, for keyboard No. 15 in G major, BWV 884 (BC L118) (WTC II/15)
  26. Prelude and Fugue, for keyboard No. 24 in B minor, BWV 893 (BC L127) (WTC II/24)
  27. Capriccio sopra la lotananza del suo fratello dilettissimo, for keyboard in B flat major, BWV 992 (BC L181)
  28. Toccata for keyboard in D major, BWV 912 (BC L143)
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There are few more sublime manifestations of the numinous in the mundane than Bach chorale prelude transcriptions sensitively played on the piano. Unfortunately, such things are now virtually forbidden by the authentic instrument law that does not permit Bach to be played on the piano, no matter how sensitively. In the past 20 years, there have been only two recordings of Bach chorale preludes: Murray Perahia's oh-so-sensitive performance and Paul Jacobs' just-the-facts performance. One has to reach further back than that ...

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Wilhelm Kempff Plays Bach Piano Transcriptions 1993, Deutsche Grammophon

UPC: 028943967228

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