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Wanderer - Andreas Scholl (counter tenor); Tamar Halperin (piano)
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Track Listing
  1. In stiller Nacht, zur ersten Wacht, folk song for voice & piano, WoO 33/42
  2. The Wanderer, song for voice & keyboard (from English canzonettas, set 2), H.26a/32
  3. Recollection, song for voice & keyboard, H. 26a/26 (from English Canzonettas I)
  4. Es ging ein Maidlein zarte, folk song for voice & piano, WoO 33/21
  5. Das Veilchen, song for voice & piano, K. 476
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  1. In stiller Nacht, zur ersten Wacht, folk song for voice & piano, WoO 33/42
  2. The Wanderer, song for voice & keyboard (from English canzonettas, set 2), H.26a/32
  3. Recollection, song for voice & keyboard, H. 26a/26 (from English Canzonettas I)
  4. Es ging ein Maidlein zarte, folk song for voice & piano, WoO 33/21
  5. Das Veilchen, song for voice & piano, K. 476
  6. Waltzes (12), Ländler (17) and Écossaises (9) for piano, D. 145 (Op. 18): Waltz No. 6 in B minor
  7. Im Haine ("Sonnenstrahlen durch die Tannen"), song for voice & piano, D. 738 (Op. 56/3)
  8. Despair ("The anguish of my bursting heart"), song for voice & piano (English Canzonettas I), H. 26a/28
  9. Abendstern ("Was weilst du einsam an dem Himmel"), song for voice & piano, D. 806
  10. An Mignon ("Über Tal und Fluss getragen"), song for voice & piano, D. 161 (Op.19/2)
  11. Mein Mädel hat einen Rosenmund, folk song for voice & piano, WoO 33/25
  12. Abendempfindung an Laura ("Abend ist's"), song for voice & piano, K. 523
  13. Der Tod und das Mädchen ("Vorüber, ach vorüber"), song for voice & piano, D. 531 (Op. 7/3)
  14. All mein Gedanken, folk song for voice & piano, WoO 33/30
  15. Da unten im Tale, folk song for voice & piano, WoO 33/6
  16. Der Jüngling auf dem Hügel ("Ein Jüngling auf dem Hügel"), song for voice & piano, D. 702 (Op. 8/1)
  17. Ellens Gesang III ("Ave Maria"), song for voice & piano, D. 839 (Op. 52/6)
  18. Intermezzo for piano in A major, Op. 118/2
  19. Du bist die Ruh, song for voice & piano, D. 776 (Op. 59/3)
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German countertenor Andreas Scholl is known not only for his gorgeous voice, but gutsy programming, and he may never have been more gutsy than in this set of German Romantic and proto-Romantic (an important distinction of which more in a moment) songs. It's pretty clear that any of the composers included on this album would have doubled over with laughter at the idea of hearing his music sung by a countertenor, and the highly gendered quality of the music of the 19th century is one of its primary motivating forces. Thus ...

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