The first release of the first stereo recording of the work, the historical importance of this set of Wagner's Siegfried is undeniable. Recorded by Decca at the 1955 Bayreuth Festival, this performance directed by Joseph Keilberth was to have been issued as part of the first complete Ring cycle. But persuaded that only a studio recording could do the work justice, Decca decided to shelve Keilberth's performance, a decision that led to Georg Solti recording Siegfried with the Vienna Philharmonic and ultimately to the release ...
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The first release of the first stereo recording of the work, the historical importance of this set of Wagner's Siegfried is undeniable. Recorded by Decca at the 1955 Bayreuth Festival, this performance directed by Joseph Keilberth was to have been issued as part of the first complete Ring cycle. But persuaded that only a studio recording could do the work justice, Decca decided to shelve Keilberth's performance, a decision that led to Georg Solti recording Siegfried with the Vienna Philharmonic and ultimately to the release of a Ring cycle that many still regard as the finest ever recorded. But aside from its inherent historical value, what's its aesthetic value? While much better than average, Keilberth's Siegfried doesn't challenge the established order. The casting is mostly terrific with the youthful Wolfgang Windgassen in the title role, the masterful Hans Hotter as Wotan, the cunning Paul Kuen as Mime, the deceitful Gustav Neidlinger as Alberich, the creepy but not especially convincing Maria von...
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Add this copy of Siegfried (Keilberth, Windgassen, Varnay, Hotter) to cart. $108.80, new condition, Sold by Revaluation Books rated 4.0 out of 5 stars, ships from Exeter, DEVON, UNITED KINGDOM, published 2006 by TESTAMENT: TES1392.
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