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Wagner: Love Duets - Deborah Voigt (soprano); Plácido Domingo (tenor); Violeta Urmana (mezzo-soprano);...
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  1. Siegfried, opera, WWV 86c: Act 3. Scene 3. Sehr langsam (orchestra)
  2. Siegfried, opera, WWV 86c: Act 3. Scene 3. Heil dir, Sonne! Heil dir, Licht!
  3. Siegfried, opera, WWV 86c: Act 3. Scene 3. O wüßtest du, Lust der Welt
  4. Siegfried, opera, WWV 86c: Act 3. Scene 3. Dort seh' ich Grane, mein selig Roß
  5. Siegfried, opera, WWV 86c: Act 3. Scene 3. Heilig schied sie aus Walhall
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  1. Siegfried, opera, WWV 86c: Act 3. Scene 3. Sehr langsam (orchestra)
  2. Siegfried, opera, WWV 86c: Act 3. Scene 3. Heil dir, Sonne! Heil dir, Licht!
  3. Siegfried, opera, WWV 86c: Act 3. Scene 3. O wüßtest du, Lust der Welt
  4. Siegfried, opera, WWV 86c: Act 3. Scene 3. Dort seh' ich Grane, mein selig Roß
  5. Siegfried, opera, WWV 86c: Act 3. Scene 3. Heilig schied sie aus Walhall
  6. Siegfried, opera, WWV 86c: Act 3. Scene 3. Ewig war ich, ewig bin ich
  7. Siegfried, opera, WWV 86c: Act 3. Scene 3. Dich lieb' ich: o liebtest mich Du!
  8. Siegfried, opera, WWV 86c: Act 3. Scene 3. Siehst du mich nicht?
  9. Tristan und Isolde, opera, WWV 90: Act 2. Scene 2. O sink hernieder, Nacht der Liebe
  10. Tristan und Isolde, opera, WWV 90: Act 2. Scene 2. Nie-wieder-Erwachtens wahnlos...Einsam wachend in der Nacht
  11. Tristan und Isolde, opera, WWV 90: Act 2. Scene 2. Lausch', Geliebter!
  12. Tristan und Isolde, opera, WWV 90: Act 2. Scene 2. Doch uns're Liebe
  13. Tristan und Isolde, opera, WWV 90: Act 2. Scene 2. So starben wir, um ungetrennt...Habet Acht!
  14. Tristan und Isolde, opera, WWV 90: Act 2. Scene 2. Soll ich lauschen?
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Operatic love duets are usually associated with Italian romantic opera, but two of the most ecstatic duets ever composed come from the pen of Richard Wagner; the final scene of Siegfried is certainly one of the longest love duets ever written. The Act 2 duet from Tristan und Isolde as recorded here features a concert ending written by Wagner which extends the duet and rounds off the scene with a closing orchestral passage. Why this authorized version has not been recorded before is a mystery, as it is much more effective ...

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