A multimedia exploration of Cold War-era exhibitions as cultural propaganda This book documents a long-term project by Russian artist Vladislav Shapovalov (born 1981) on the idea of exhibitions as political mediums with ideological purposes, looking at projects from the US and USSR such as MoMA's The Family of Man and Soviet photographic "kit-exhibitions."
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A multimedia exploration of Cold War-era exhibitions as cultural propaganda This book documents a long-term project by Russian artist Vladislav Shapovalov (born 1981) on the idea of exhibitions as political mediums with ideological purposes, looking at projects from the US and USSR such as MoMA's The Family of Man and Soviet photographic "kit-exhibitions."
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