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Vivaldi: Pietà - Emmanuel Laporte (oboe); Ensemble Artaserse; Philippe Jaroussky (counter tenor); Ensemble Artaserse;...
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  1. Clarae stellae, scintillate, solo motet for voice, strings & continuo in F major, RV 625
  2. Stabat Mater, hymn for alto, strings & continuo in F minor, RV 621
  3. Filiae Mestae Jerusalem, solo motet for voice, strings & continuo in C minor, RV 638
  4. Concerto for strings & continuo in C minor, RV 120
  5. Gloria, for 3 solo voices, chorus, trumpet, oboe, violin (ad lib), 2 violas, 2 cellos, strings & continuo in D major, RV 589: Domine Deus
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  1. Clarae stellae, scintillate, solo motet for voice, strings & continuo in F major, RV 625
  2. Stabat Mater, hymn for alto, strings & continuo in F minor, RV 621
  3. Filiae Mestae Jerusalem, solo motet for voice, strings & continuo in C minor, RV 638
  4. Concerto for strings & continuo in C minor, RV 120
  5. Gloria, for 3 solo voices, chorus, trumpet, oboe, violin (ad lib), 2 violas, 2 cellos, strings & continuo in D major, RV 589: Domine Deus
  6. Longe mala, umbrae, terrores, motet for voice, strings & continuo in G minor, RV 629 (introduzione to Gloria)
  7. Salve Regina, antiphon for voice, double chorus, 2 oboes, double strings & continuo in G minor, RV 618
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French countertenor Philippe Jaroussky, whose honey-sweet voice perhaps remains the best introduction to the countertenor voice for the skeptical, attempts something new with the collection of gorgeous and generally underrated Vivaldi works. It might, therefore, not be perfectly appropriate as an introduction to Jaroussky, but it's a daring and altogether engrossing project. The collection is accurately billed as a group of sacred works for alto, which makes it a surprising attempt for Jaroussky: his voice corresponds most ...

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