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Villa-Lobos: Bachianas Brasileiras (Complete) - Anthony LaMarchina (cello); Cynthia Estill (bassoon); Erik Gratton (flute); Jose Feghali (piano); Rosana Lamosa (soprano);...
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  1. Bachianas Brasileiras No. 1, for 8 cellos, A. 246
  2. Bachianas Brasileiras No. 2, for orchestra, A. 247
  3. Bachianas Brasileiras No. 3, for piano & orchestra, A. 388
  4. Bachianas Brasileiras No. 4, for piano, A. 264
  5. Bachianas Brasileiras No. 5, for voice & 8 cellos, A. 389
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  1. Bachianas Brasileiras No. 1, for 8 cellos, A. 246
  2. Bachianas Brasileiras No. 2, for orchestra, A. 247
  3. Bachianas Brasileiras No. 3, for piano & orchestra, A. 388
  4. Bachianas Brasileiras No. 4, for piano, A. 264
  5. Bachianas Brasileiras No. 5, for voice & 8 cellos, A. 389
  6. Bachianas Brasileiras No. 6, for flute & bassoon, A. 392
  7. Bachianas Brasileiras No. 7, for orchestra, A. 432
  8. Bachianas Brasileiras No. 8, for orchestra, A. 444
  9. Bachianas Brasileiras No. 9, for chorus (or string orchestra), A. 449
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All too often, box sets with the complete this or the collected that represent a by-the-pound mentality that's ultimately destructive to classical music, a substitute for intelligent program selection that entertains and instructs. The nine Bachianas Brasileiras of Heitor Villa-Lobos, however, may be the exception. Often excerpted (the two-movement No. 5, for voice and eight cellos is the most famous, with its Yma Sumac-like opening vocalise), they give the listener something more to think about when played from start to ...

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