Skip to main content alibris logo
Ultimate Mozart - Edith Mathis (soprano); Francisco Araiza (tenor); Hans Peter Blochwitz (tenor); Irena Grafenauer (flute); Jadwiga Rappe (contralto); Karl Leister (clarinet); Margaret Price (soprano); Maria Graf (harp); Peter Damm (horn); Theo Adam (bass)
Filter Results
Shipping
Item Condition
Seller Rating
Other Options
Change Currency
Track Listing
  1. Symphony No. 40 in G minor, K. 550
  2. Symphony No. 41 in C major ("Jupiter"), K. 551
  3. Piano Concerto No. 21 in C major ("Elvira Madigan") K. 467
  4. Rondo for piano No. 3 in A minor, K. 511
  5. Piano Concerto No. 20 in D minor, K. 466
Show All Tracks
  1. Symphony No. 40 in G minor, K. 550
  2. Symphony No. 41 in C major ("Jupiter"), K. 551
  3. Piano Concerto No. 21 in C major ("Elvira Madigan") K. 467
  4. Rondo for piano No. 3 in A minor, K. 511
  5. Piano Concerto No. 20 in D minor, K. 466
  6. Clarinet Concerto in A major, K. 622
  7. Concerto for flute, harp & orchestra in C major, K. 299 (K. 297c)
  8. Horn Concerto No. 4 in E flat major, K. 495
  9. Rondo for horn & orchestra in E flat major (fragment), K. 371
  10. Serenade No. 13 for strings in G major ("Eine kleine Nachtmusik"), K. 525
  11. Serenade No. 6 for orchestra in D major ("Serenata Notturna"), K. 239
  12. Divertimento for string quartet (or string orchestra) in D major ("Salzburg Symphony No. 1"), K. 136 (K. 125a)
  13. Divertimento for string quartet (or string orchestra) in B flat major ("Salzburg Symphony No. 2"), K. 137 (K. 125b)
  14. Divertimento for string quartet (or string orchestra) in F major ("Salzburg Symphony No. 3"), K. 138 (K. 125c)
  15. Requiem for soloists, chorus & orchestra, K. 626
  16. Mass No. 15 for vocal soloists, chorus & orchestra in C major ("Coronation"), K. 317
  17. Ave verum corpus, motet for chorus, strings & organ, K. 618
Show Fewer Tracks

This set of recordings from the vaults of the Decca and Philips labels has an advantage over other samplers of the works of Wolfgang Amadeus Mozart in that it gives listeners complete multimovement works, not just a single movement or an excerpt of a movement. On the other hand, because of this, the number of works presented is by necessity much smaller than other compilations. Rest assured, though, that the producers selected the best of the best of Mozart's compositions. The symphonies are represented by No. 40 and No. 41 ...

loading