Through an extended reading of the noh play Aoi ne Ue, as well as briefer examinations of several other plays, Theatricalities of Power sheds new light on the circulation of power and desire in the middle and late medieval periods in Japan. The author argues that, rather than simply mirroring the sociopolitical contexts in which they were performed, these plays constituted an active, productive force in the theater of the medieval cultural imaginary by engaging specific sociopolitical issues and problems. Neither reducing ...
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Through an extended reading of the noh play Aoi ne Ue, as well as briefer examinations of several other plays, Theatricalities of Power sheds new light on the circulation of power and desire in the middle and late medieval periods in Japan. The author argues that, rather than simply mirroring the sociopolitical contexts in which they were performed, these plays constituted an active, productive force in the theater of the medieval cultural imaginary by engaging specific sociopolitical issues and problems. Neither reducing noh to its theatrical conventions nor abstracting its style and poetics from its performativity, the book reads noh differently, opening the performance text to its historically specific contexts. It aims not merely to recount the history of noh, but to investigate the history in noh, to explore "the indecision as to the limit" between the performance text of noh and its other. The author approaches noh as a site of conflict framed by the mechanisms of patronage within which poetic, religious, political, and economic discourses are brought together in complex and innovative ways. He brings to the fore the "micropolitics of culture" operative in noh by ferreting out the power relations and tensions at play between noh texts and their institutions of support and by opening noh to extradramatic linkages with contemporaneous figurations of authority, change in legal codes, and sexual politics.
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Add this copy of Theatricalities of Power: the Cultural Politics of Noh to cart. $23.57, very good condition, Sold by Midtown Scholar Bookstore rated 5.0 out of 5 stars, ships from Harrisburg, PA, UNITED STATES, published 2002 by Stanford University Press.
Add this copy of Theatricalities of Power: the Cultural Politics of Noh to cart. $37.50, very good condition, Sold by Powell's Books Chicago rated 5.0 out of 5 stars, ships from Chicago, IL, UNITED STATES, published 2002 by Stanford University Press.
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Seller's Description:
Very Good. 2002. 1st Edition. hardcover. Cloth, dj. Octavo. ix & 209 pp. Mild shelf wear to dust jacket. Altogether a copy in Very Good condition. Very Good. (Subject: Japan).
Add this copy of Theatricalities of Power: the Cultural Politics of Noh to cart. $89.14, new condition, Sold by GridFreed rated 4.0 out of 5 stars, ships from North Las Vegas, NV, UNITED STATES, published 2002 by Stanford University Press.
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New. Through an extended reading of the noh play "Aoi ne Ue", as well as briefer examinations of several other plays, this work aims to shed new light on the circulation of power and desire in the middle and late medieval periods in Japan. Num Pages: 224 pages. BIC Classification: 1FPJ; 3H; AN; JFC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 5817 x 3887 x 20. Weight in Grams: 481. 2002. Hardcover.....We ship daily from our Bookshop.
Add this copy of Theatricalities of Power – the Cultural Politics of Noh to cart. $120.52, new condition, Sold by Revaluation Books rated 4.0 out of 5 stars, ships from Exeter, DEVON, UNITED KINGDOM, published 2001 by Stanford University Press.