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The Very Best of Sibelius - Dong-Suk Kang (violin); Hannu Jurmu (tenor); Håvard Gimse (piano); Jouni Somero (piano); Risto Lauriala (piano)
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Track Listing
  1. Pelléas et Mélisande, incidental music for orchestra, Op. 46: Prelude to Act 1 Scene 1. "At the Castle Gate"
  2. Kyllikki, lyric pieces (3) for piano, Op. 41: Comodo
  3. The Oceanides (Aallottaret), tone poem for orchestra, Op. 73
  4. Andante Festivo, for string orchestra, JS 34b (arranged from string quartet version)
  5. Songs (6) for voice & piano, Op. 36: 4. Reed, reed, rustle
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  1. Pelléas et Mélisande, incidental music for orchestra, Op. 46: Prelude to Act 1 Scene 1. "At the Castle Gate"
  2. Kyllikki, lyric pieces (3) for piano, Op. 41: Comodo
  3. The Oceanides (Aallottaret), tone poem for orchestra, Op. 73
  4. Andante Festivo, for string orchestra, JS 34b (arranged from string quartet version)
  5. Songs (6) for voice & piano, Op. 36: 4. Reed, reed, rustle
  6. Valse triste, for orchestra (from Kuolema), Op. 44/1
  7. Symphony No. 5 in E flat major, Op. 82: 3. Allegro molto
  8. Romance, for string orchestra in C major, Op. 42
  9. Pohjola's Daughter (Pohjolan tytär), symphonic fantasy for orchestra, Op. 49
  10. Finlandia, tone poem for orchestra, Op. 26
  11. Karelia Suite, for orchestra, Op. 11: 1. Intermezzo
  12. Karelia Suite, for orchestra, Op. 11: 3. Alla marcia
  13. Violin Concerto in D minor, Op. 47: 2. Adagio di molto
  14. En Saga, tone poem for orchestra, Op. 9
  15. Songs (7) for voice & piano, Op. 17: 6. To Evening
  16. The Tempest: Suite No. 2, for orchestra, Op. 109/3: 3. Dance of the Nymphs
  17. Symphony No. 1 in E minor, Op. 39: 3. Scherzo (Allegro)
  18. Lemminkäinen Suite: Four Legends from the Kalevala, for orchestra, Op. 22: The Swan of Tuonela
  19. Pieces (5) for piano ("The Flowers"), Op. 85: 2. Carnation
  20. Symphony No. 2 in D major, Op. 43: 4. Finale
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Compiling a best-of release for Jean Sibelius is difficult, perhaps even more difficult than for other composers of his era. This is because Sibelius had several distinct styles, and a largely different audience to go with each one. Those who immerse themselves in the intense gloom of the Symphony No. 4 have little use for the triumphant strains of Finlandia or the finale of the Symphony No. 2 that came close, the local composers having nothing on hand that would quite fill the bill, to becoming an anthem for World War II ...

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