This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1893 edition. Excerpt: ...involve an alteration in the fundamental second string. The principle of the bridge changes in the consecutive tunings is revealed in the name of the mixed tuning--Go-sagari roku-agari--used for facilitating the transitions between Iwato and Kumoi. Iwato is obtained from Kumoi by lowering the fifth ...
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This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1893 edition. Excerpt: ...involve an alteration in the fundamental second string. The principle of the bridge changes in the consecutive tunings is revealed in the name of the mixed tuning--Go-sagari roku-agari--used for facilitating the transitions between Iwato and Kumoi. Iwato is obtained from Kumoi by lowering the fifth string a semitone, and raising the sixth a full tone; or, in terms of the diatonic scale, lowering the leading note and raising the tonic. And this is precisely the way in which Kumoi was obtained out of Hirajdshi: the leading note Gj of A major is lowered to; the tonic A is raised to B. In Japanese terms this application of the principle might be called san-sagari shi-agari. Here, then, we have the practical factor by which the sequence of scales was made; and if the first and second strings were not constant, it might be applied for the formation of all the other scales; thus, For making Kumoi from the normal, lower the 3rd string a semitone, and raise the 4th a full tone; For making Iwato from Kumoi, lower the 5th string a semitone, and raise the 6th a full tone; For making the next scale from Iwato, lower the 7th string a semitone, and raise the 8th a full tone; and so on. So much for the principal tunings. But the group of scales clustered round the C$ and Fjt of the first and second strings is not yet quite accounted for. There is the normal Fj& minor with its relative A major; secondly, there is the scale of the sub-dominant B minor with its relative D major; thirdly, again the scale of the sub-dominant E minor, with its relative G major. But these three relative major keys are, as far as I have been able to trace, quite ignored. Probably owing to the important position held by the second string, and for other reasons with which...
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Add this copy of The Music and Musical Instruments of Japan to cart. $19.72, new condition, Sold by Ingram Customer Returns Center rated 5.0 out of 5 stars, ships from NV, USA, published 2022 by Legare Street Press.
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Fine. Trade paperback (US). Glued binding. 292 p. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
Add this copy of The Music and Musical Instruments of Japan to cart. $20.58, new condition, Sold by GreatBookPrices rated 4.0 out of 5 stars, ships from Columbia, MD, UNITED STATES, published 2022 by Legare Street Press.
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New. Trade paperback (US). Glued binding. 292 p. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
Add this copy of The Music and Musical Instruments of Japan to cart. $29.16, new condition, Sold by Ingram Customer Returns Center rated 5.0 out of 5 stars, ships from NV, USA, published 2022 by Legare Street Press.