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The Medieval Romantics: French Songs and Motets, 1340-1440 - Gothic Voices
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  1. Quiconques Veut d'Amours Joïr, rondeaux for 4 voices
  2. Je languis d'amere mort, virelai for 3 voices
  3. Joieux de cuer en seumellant estoye, ballade for 4 voices
  4. En mai, quant rosier sont flouri, motet for 3 voices (doubtful)
  5. Alma polis religio / Axe poli cum artica, motet in 4 voices
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  1. Quiconques Veut d'Amours Joïr, rondeaux for 4 voices
  2. Je languis d'amere mort, virelai for 3 voices
  3. Joieux de cuer en seumellant estoye, ballade for 4 voices
  4. En mai, quant rosier sont flouri, motet for 3 voices (doubtful)
  5. Alma polis religio / Axe poli cum artica, motet in 4 voices
  6. C'est force, faire le weil, virelai for voice
  7. Sofrir m'estuet et plus non puis durer
  8. Plus belle que flor/Quant revient/L'autrier joer/Flos Filius Eius, motet for 4 voices
  9. Tant doucement me sens emprisonnés, rondeau for 4 voices
  10. Degentis vita/Cum vix artidici/Vera pudicitia, motet for 4 voices
  11. Mais qu'il vous viengne a plaisance, virelai in 3 voices
  12. En ce gracieux tamps joli, virelai for 3 voices
  13. Comment qu'a moy lonteinne, virelai for voice
  14. Je requier a tous amoureux, rondeau for 3 voices
  15. Las, que feray? ne que je devenray? rondeau for 3 voices
  16. Je voel servir plus c'onques mais. rondeau for 3 voices
  17. Tota pulchra es, amica mea, motet for 4 voices
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One could not be blamed for thinking the title of this Gothic Voices collection of late fourteenth and early fifteenth century French chansons and motets -- The Medieval Romantics -- as a little oxymoronic. After all, didn't the Romantics live some four centuries later? Yes, they did, but there's no shortage of examples of late medieval music that bear more than a passing resemblance to "romanticism" in regard to certain kinds of harmonic and textural preferences. This is partly coincidental; what sounded tonal to Guillaume ...

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The Medieval Romantics: French Songs and Motets, 1340-1440 1993, Hyperion

UPC: 034571164632

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