Fryderyk Franciszek Chopin was a Polish and French composer and a virtuoso pianist of the Romantic era, who wrote predominantly for the solo piano. He gained and has maintained renown worldwide as one of the leading musicians of his era. Liszt knew Chopin both as man and artist; Chopin loved to hear him interpret his music, and himself taught the great Pianist the mysteries of his undulating rhythm and original motifs. The broad and noble criticisms contained in this book are absolutely essential for the musical culture of ...
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Fryderyk Franciszek Chopin was a Polish and French composer and a virtuoso pianist of the Romantic era, who wrote predominantly for the solo piano. He gained and has maintained renown worldwide as one of the leading musicians of his era. Liszt knew Chopin both as man and artist; Chopin loved to hear him interpret his music, and himself taught the great Pianist the mysteries of his undulating rhythm and original motifs. The broad and noble criticisms contained in this book are absolutely essential for the musical culture of the thousands now laboriously but vainly struggling to perform his elaborate works, and who, having no key to their multiplied complexities of expression, frequently fail in rendering them aright. And the masses in this country, full of vivid perception and intelligent curiosity, who, not playing themselves, would yet fain follow with the heart compositions which they are told are of so much artistic value, will here find a key to guide them through the tuneful labyrinth. Some of Chopin's best works are analyzed herein. He wrote for the "Heart of his people" their joys, sorrows, and caprices are immortalized by the power of his art. "There is something fundamentally personal and at the same time so very masterly in his playing that he may be called a really perfect virtuoso." -Felix Mendelssohn, composer, pianist, organist (1809-1847) "Every single note was played with the highest degree of taste, in the noblest sense of the word. When he embellished, which he rarely did, it was a positive miracle of refinement." -Wilhelm von Lenz, writer (1809-1883) "Now, for the first time, I understood his music, and could also explain to myself the great enthusiasm of the ladies. The sudden modulations that I could not grasp when I myself played his works no longer bother me. His piano is so ethereal that no forte is needed to create the necessary contrast. Listening to him, one yields with one's whole soul, as to a singer who, oblivious of accompaniment, lets himself be carried away by his emotion. In short, he is unique among pianists." - Ignaz Moscheles composer and piano virtuoso (1794-1870)
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