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The Early Recordings, Vol. 1 - Angelica May (cello); Collegium Aureum; Elly Ameling (soprano); Gustav Leonhardt (harpsichord); Hans-Martin Linde (recorder)
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  1. Bist du bei mir, aria arranged for voice & continuo, BWV 508 (after Gottfried Stölzel)
  2. Cantata No. 82, "Ich habe genug," BWV 82 (BC A169): Nos. 2 & 3: Ich habe genug - Schlummert ein, ihr matten Augen
  3. Magnificat for 4 voices, chorus, 2 flutes, 2 oboes, 3 trumpets, 2 horns, strings & continuo in D minor, H. 772, Wq. 215: Quia Respexit
  4. Trauer-musik eines kunsterfahrenen Canarienvogels, secular cantata for voice, strings & continuo, TWV 20:37: Mit sehnenden verlangen & Richt ihr müde Augen nieder
  5. Pensieri notturni di filli (Nel dolce dell'oblio), cantata for soprano, recorder & continuo, HWV 134
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  1. Bist du bei mir, aria arranged for voice & continuo, BWV 508 (after Gottfried Stölzel)
  2. Cantata No. 82, "Ich habe genug," BWV 82 (BC A169): Nos. 2 & 3: Ich habe genug - Schlummert ein, ihr matten Augen
  3. Magnificat for 4 voices, chorus, 2 flutes, 2 oboes, 3 trumpets, 2 horns, strings & continuo in D minor, H. 772, Wq. 215: Quia Respexit
  4. Trauer-musik eines kunsterfahrenen Canarienvogels, secular cantata for voice, strings & continuo, TWV 20:37: Mit sehnenden verlangen & Richt ihr müde Augen nieder
  5. Pensieri notturni di filli (Nel dolce dell'oblio), cantata for soprano, recorder & continuo, HWV 134
  6. Ah che troppo ineguali (O del ciel Maria regina), solo cantata, HWV 230
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