Coppélia, ou La fille aux yeux d'émail, ballet: Prelude: Mazurka
La Damnation de Faust, for mezzo-soprano, tenor, baritone, bass, chorus and orchestra ("légende dramatique"), H. 111 (Op. 24): Dans mon coeur retentit (The Ride to the Abyss, Pandemonium)
Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 (TrV 176): Opening
Salome's Dance, for orchestra (from the opera; aka "Dance of the Seven Veils") (TrV 215a)
Symphony No. 6 in F major ("Pastoral"), Op. 68: Shepherds' Song: Joyous thanksgiving after the storm
Coppélia, ou La fille aux yeux d'émail, ballet: Prelude: Mazurka
La Damnation de Faust, for mezzo-soprano, tenor, baritone, bass, chorus and orchestra ("légende dramatique"), H. 111 (Op. 24): Dans mon coeur retentit (The Ride to the Abyss, Pandemonium)
Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 (TrV 176): Opening
Salome's Dance, for orchestra (from the opera; aka "Dance of the Seven Veils") (TrV 215a)
Symphony No. 6 in F major ("Pastoral"), Op. 68: Shepherds' Song: Joyous thanksgiving after the storm
Piano Concerto No. 1 in D minor, Op. 15: Rondo: Allegro non troppo
La Mer, symphonic sketches (3) for orchestra, CD 111 (L. 109): From Dawn Till Noon on the Sea
Symphonie fantastique for orchestra ("Episode de la vie d'un Artiste...en cinq parties"), H.48 (Op. 14): March to the Scaffold
American Symphonette No. 2, for orchestra: Pavane
Piano Sonata No. 23 in F minor ("Appassionata"), Op. 57: Andante con moto
Piano Concerto No. 1 in B flat minor, Op. 23: Allegro con fuoco
Violin Concerto in E minor, Op. 64: Allegretto non troppo, Allegro molto vivace
Symphony No. 3 in C minor ("Organ"), Op. 78: Maestoso, Allegro
Hungarian Rhapsody, for orchestra No. 2 in C sharp minor, S. 359/2 (LW G21/2)
Piano Concerto No. 2 in B flat major, Op. 83: Rondo
Gaîté Parisienne, ballet (music by Offenbach arranged by Manuel Rosenthal): Barcarolle
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