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Strauss: Five Songs; Le Bourgeois Gentilhomme; Salome (excerpts) ()

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composed by Richard Strauss

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Strauss: Five Songs; Le Bourgeois Gentilhomme; Salome (excerpts) - Jessye Norman (soprano); London Philharmonic Orchestra; Klaus Tennstedt (conductor)
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Track Listing
  1. Cäcilie ("Wenn du es wüsstest"), song for voice & piano (or orchestra), Op. 27/2 (TrV 170/2)
  2. Ruhe, meine Seele ("Nicht ein Lüftchen regt sich leise"), song for voice & piano (or orchestra), Op. 27/1 (TrV 170/1)
  3. Meinem Kinde ("Du schläfst und sachte neig' ich mich"), song for voice & piano (or orchestra), Op. 37/3 (TrV 187/3)
  4. Wiegenlied ("Träume, träume, du mein süsses Leben"), song for voice & piano (or orchestra), Op. 41/1 (TrV 195/1)
  5. Zueignung ("Ja, du weisst es, teur Seele"), song for voice & piano (or orchestra), Op. 10/1 (TrV 141/1)
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  1. Cäcilie ("Wenn du es wüsstest"), song for voice & piano (or orchestra), Op. 27/2 (TrV 170/2)
  2. Ruhe, meine Seele ("Nicht ein Lüftchen regt sich leise"), song for voice & piano (or orchestra), Op. 27/1 (TrV 170/1)
  3. Meinem Kinde ("Du schläfst und sachte neig' ich mich"), song for voice & piano (or orchestra), Op. 37/3 (TrV 187/3)
  4. Wiegenlied ("Träume, träume, du mein süsses Leben"), song for voice & piano (or orchestra), Op. 41/1 (TrV 195/1)
  5. Zueignung ("Ja, du weisst es, teur Seele"), song for voice & piano (or orchestra), Op. 10/1 (TrV 141/1)
  6. Der Bürger als Edelmann (Le bourgeois gentilhomme), suite from the ballet for orchestra, Op. 60-IIIa (TrV 228c)
  7. Salome, opera, Op. 54 (TrV 215): Dance of the Seven Veils
  8. Salome, opera, Op. 54 (TrV 215): Ah! Du wolltest mich nicht deinen Mund küssen lassen
  9. Salome, opera, Op. 54 (TrV 215): Nun wohl! Ich lebe noch
  10. Salome, opera, Op. 54 (TrV 215): Ah! Ich habe deinen Mund geküsst, Jochanaan
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These Richard Strauss performances were recorded in 1986 at London's Royal Festival Hall by soprano Jessye Norman, with the London Philharmonic Orchestra under conductor Klaus Tennstedt. The album hit best-seller lists when it was released 36 years later, in 2022, a success due to the fact that the performances found Norman in absolutely splendid voice. Norman was always an enthusiastic performer of orchestral song, but she rarely did better than in the assorted Strauss songs that open the program, scaling the entire ...

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