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Soirées Internationales - Antonio Meneses (cello); Celina Szrvinsk (piano)
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  1. Bachianas Brasileiras No. 5, for voice & 8 cellos, A. 389: Ária (cantelina)
  2. Bachianas Brasileiras No. 2, for orchestra, A. 247: O Canto do capadócio (The Song of the capadócio)
  3. Bachianas Brasileiras No. 2, for orchestra, A. 247: O Canto da Nossa Terra (The Song of Our Land)
  4. Bachianas Brasileiras No. 2, for orchestra, A. 247: O Trenzinho do Caipira (The Little Train of the Caipira)
  5. Sonata for cello & piano No. 1
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  1. Bachianas Brasileiras No. 5, for voice & 8 cellos, A. 389: Ária (cantelina)
  2. Bachianas Brasileiras No. 2, for orchestra, A. 247: O Canto do capadócio (The Song of the capadócio)
  3. Bachianas Brasileiras No. 2, for orchestra, A. 247: O Canto da Nossa Terra (The Song of Our Land)
  4. Bachianas Brasileiras No. 2, for orchestra, A. 247: O Trenzinho do Caipira (The Little Train of the Caipira)
  5. Sonata for cello & piano No. 1
  6. Pieces (3) for cello & piano
  7. Sonata for cello & piano No. 3, H. 340
  8. O canto do cysno negro (Song of the Black Swan), for cello & piano, A. 122
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Paris in the 1920s was a veritable hotbed of musical activity and, perhaps more than any other city at the time, served as a melting pot of musical ideas for the European continent. In his 2008 album Soirées Internationales, cellist Antonio Meneses captures that musical scene in a program featuring works by Brazillian Villa-Lobos, Brazillian "Mozart" Camargo Guarnieri, famed French pedagogue Nadia Boulanger, and Czech Bohuslav Martinu. Although the pieces on the program were written in close proximity to one another, the ...

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