The hybrid SACD format is ideal for reissuing RCA Red Seal's early two- and three-channel stereo recordings, and Charles Münch's vibrant recordings of Franz Schubert's Symphony No. 8 in B minor, "Unfinished," and the Symphony No. 9 in C major, "The Great," especially benefit from this state-of-the-art technology. Recorded in 1955 and 1958, respectively, these performances with the phenomenal Boston Symphony Orchestra sound magnificent with the spacious separation and the close simulation of a real orchestral environment ...
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The hybrid SACD format is ideal for reissuing RCA Red Seal's early two- and three-channel stereo recordings, and Charles Münch's vibrant recordings of Franz Schubert's Symphony No. 8 in B minor, "Unfinished," and the Symphony No. 9 in C major, "The Great," especially benefit from this state-of-the-art technology. Recorded in 1955 and 1958, respectively, these performances with the phenomenal Boston Symphony Orchestra sound magnificent with the spacious separation and the close simulation of a real orchestral environment made possible by DSD and multichannel remastering. Beyond the superb audio quality, these recordings are fascinating documents of Münch's elegant interpretations of Schubert. Known mostly as a conductor of the French Romantic repertoire, Münch was less closely associated with the Austro-Germanic symphonic literature, so his Schubert might seem a little outside the tradition, especially because of his lighter-than-air touch, elegant phrasing, fleet tempos, and utter avoidance of hysteria...
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