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Schubert: Part Songs, Vol. 3 ()

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composed by Franz Schubert

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Schubert: Part Songs, Vol. 3 - Marcus Schmidl (bass); Marcus Ullmann (tenor); Markus Flaig (bass); Markus Schäfer (tenor); Thomas E. Bauer (bass)
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Track Listing
  1. Trinklied ("Freunde, sammelt euch im Kriese"), for bass voice, male chorus & piano, D. 75
  2. Geist der Liebe II ("Der Abend schleiert Flur und Hain"), quartet for unaccompanied male voices, D. 747 (Op. 11/3)
  3. Die Nachtigall ("Bescheiden verborgen..."), quartet for male voices & piano, D. 724 (Op. 11/2)
  4. Trinklied ("Auf! Jeder sei nun froh"), quartet for male voices & piano, D. 267
  5. Bergknappenlied ("Hinab, ihr Brüder"), for male voices & piano, D. 268
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  1. Trinklied ("Freunde, sammelt euch im Kriese"), for bass voice, male chorus & piano, D. 75
  2. Geist der Liebe II ("Der Abend schleiert Flur und Hain"), quartet for unaccompanied male voices, D. 747 (Op. 11/3)
  3. Die Nachtigall ("Bescheiden verborgen..."), quartet for male voices & piano, D. 724 (Op. 11/2)
  4. Trinklied ("Auf! Jeder sei nun froh"), quartet for male voices & piano, D. 267
  5. Bergknappenlied ("Hinab, ihr Brüder"), for male voices & piano, D. 268
  6. Das Dörfchen, quartet for male voices (2 versions, 2nd formerly D. 641), D. 598 (Op. 11/1)
  7. Punschlied ("Vier Elemente"), trio for male voices & piano, D. 277
  8. Im Gegenwärtigen Vergangenes, quartet for male & piano, D. 710
  9. Trinklied ("Brüder! Unser Erdenwallen"), for tenor, chorus & piano, D. 148 (Op. 131/2)
  10. Die Advokaten (Mein Herr, ich komm"), trio for male voices & piano, D. 37
  11. Frühlingsgesang II ("Schmücket die Locken"), quartet for male voices & piano, D. 740 (Op. 16/1)
  12. Zur guten Nacht ("Horcht auf!"), for baritone, male chorus & piano, D. 903 (Op. 81/3)
  13. Das Grab II ("Das Grab ist tief und stille"), song for voice & piano (or male chorus), D. 377
  14. Mondenschein ("Des Mondes Zauberblume lacht"), quintet for male voices & piano, D. 875 (Op. 102)
  15. Widerspruch ("Wenn ich durch Busch und Zweig..."), quartet for male voices & piano, D. 865 (Op. 105/1)
  16. Nachthelle ("Die Nacht ist heiter..."), for tenor, male voices & piano, D. 892 (Op. posth. 134)
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The value of the Naxos label's Schubert-Lied-Edition, which here reaches its 34th volume, has never been clearer than with the several volumes devoted to the composer's part-songs, for four male voices. Some of these have become popular among male choirs and were even staples of community German music in the U.S., but others waited for years after Schubert's death for publication and never really gained a foothold in the repertoire. Among these oddities one finds some gems, and several have shown up on each of the Naxos ...

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