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Schubert: Complete Songs, Vol. 14 - Graham Johnson (piano); Marie McLaughlin (soprano); Thomas Hampson (baritone)
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Track Listing
  1. Die Götter Griechenlands ("Schöne Welt, wo bist du"), song for voice & piano (two versions), D. 677
  2. Amphiaraos ("Vor Thebens siebenfach"), song for voice & piano, D. 166
  3. Gruppe aus dem Tartarus I, for voice & piano (fragment), D. 396
  4. Gruppe aus dem Tartarus II ("Horch, wie Murmeln"), song for voice & piano, D. 583 (Op. 24/1)
  5. Hippolit's Lied ("Lasst mich, ob ich auch still verglüh), song for voice & piano, D. 890
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  1. Die Götter Griechenlands ("Schöne Welt, wo bist du"), song for voice & piano (two versions), D. 677
  2. Amphiaraos ("Vor Thebens siebenfach"), song for voice & piano, D. 166
  3. Gruppe aus dem Tartarus I, for voice & piano (fragment), D. 396
  4. Gruppe aus dem Tartarus II ("Horch, wie Murmeln"), song for voice & piano, D. 583 (Op. 24/1)
  5. Hippolit's Lied ("Lasst mich, ob ich auch still verglüh), song for voice & piano, D. 890
  6. Hektor's Abschied ("Will sich Hektor ewig..."), song for voice & piano (two versions), D. 312 (Op. 58/1)
  7. Memnon ("Den Tag hindurch nur einmal"), song for voice & piano, D. 541 (Op. 6/1)
  8. Fragment aus dem Aeschylus ("So wird der Mann"), song for voice & piano, D. 450
  9. Philoktet ("Da sitz' ich ohne Bogen"), song for voice & piano, D. 540
  10. Uraniens Flucht ("Lasst uns, ihr Himmlischen"), for voice & piano, D. 554
  11. Antigone und Oedip ("Ihr hohen Himmlischen"), song for voice & piano, D. 542 (Op. 6/2)
  12. Lied eines Schiffers an die Dioskuren ("Dioskuren, Zwillingssterne"), song for voice & piano, D. 360 (Op. 65/1)
  13. Orest auf Tauris ("Ist dies Tauris"), song for voice & piano, D. 548
  14. Der entsühnte Orest ("Zu meinen Füssen brichst du dich"), song for voice & piano, D. 699
  15. Der zürnenden Diana ("Ja, spanne nur den Bogen"), song for voice & piano (two versions), D. 707 (Op. 36/1)
  16. Freiwilliges Versinken ("Wohin?"), song for voice & piano, D. 700
  17. An die Leier ("Ich will von Atreus Söhnen"), song for voice & piano, D. 737 (Op. 56/2)
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First, there's the subject: Schubert and the Classics, Schubert setting texts based on classic myths, a subject that brought out the highest and the noblest in Schubert. Second, there is the poetry Schubert set, poetry by Schiller, the most Romantic of the German Enlightenment poets who could breathe passionate life into the colossus of Rhodes, and Mayrhofer, a poet, a classics scholar, a friend of Schubert's, and one of the great despairing artists of the age. Third, there's Thomas Hampson, a baritone with a virile and ...

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Schubert: Complete Songs, Vol. 14 1992, Hyperion

UPC: 034571130149

CD