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Schubert: Austrian Contemporaries, Vol. 3 - Daniela Sindram (mezzo-soprano); Ulrich Eisenlohr (piano)
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Track Listing
  1. Himmelsfunken ("Der Odem Gottes wehr"), song for voice & piano, D. 651
  2. Der Mondabend ("Rhein und freundlich"), song for voice & piano, D. 141 (Op. posth. 131/1)
  3. Berta's Lied in der Nacht ("Nacht umhüllt mit wehendem Flügel"), song for voice & piano, D. 653
  4. Cora an die Sonne ("Nach so vielen trüben"), song for voice & piano, D. 263
  5. Mein Gruss an den Mai ("Sei mir gegrüsst"), song for voice & piano, D. 305
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  1. Himmelsfunken ("Der Odem Gottes wehr"), song for voice & piano, D. 651
  2. Der Mondabend ("Rhein und freundlich"), song for voice & piano, D. 141 (Op. posth. 131/1)
  3. Berta's Lied in der Nacht ("Nacht umhüllt mit wehendem Flügel"), song for voice & piano, D. 653
  4. Cora an die Sonne ("Nach so vielen trüben"), song for voice & piano, D. 263
  5. Mein Gruss an den Mai ("Sei mir gegrüsst"), song for voice & piano, D. 305
  6. Die Blumensprache ("Es deuten die Blumen"), song for voice & piano, D. 519 (Op. posth. 173/5)
  7. Der Blumen Schmerz (" Wie tönt es mir so schaurig"), song for voice & piano, D. 731 (Op. posth. 173/4)
  8. Das Lied im Grünen ("Ins Grüne..."), song for voice & piano, D. 917 (Op. posth. 115/1)
  9. Frühlingslied II ("Geöffnet sind des Winters Riegel"), for voice & piano, D. 919
  10. An die Sonne ("Sinke, liebe Sonne"), song for voice & piano, D. 270 (Op. posth. 118/5)
  11. Lambertine ("O Liebe"), song for voice & piano, D. 301
  12. Blondel zu Marien ("In düstrer Nacht"), song for voice & piano, D. 626
  13. Der Morgenkuss nach einem Ball ("Durch eine ganze Nacht"), song for voice & piano, D. 264
  14. Die Unterscheidung ("Die Mutter hat mich jüngst gescholten"), song for voice & piano, D. 866/1 (Op. 95/1)
  15. Die Männer sind méchant ("Du sagtest mir es, Mutter"), refrain song for voice & piano, D. 866/3 (Op. 95/3)
  16. Das Echo ("Herzliebe, gute Mutter"), song for voice & piano, D. 990c (D. 868) (Op. posth. 130)
  17. Die Liebe ("Wo weht der Liebe hoher Geist?"), song for voice & piano, D. 522
  18. Ammenlied ("Am hohen, hohen Turm"), song for voice & piano, D. 122
  19. Die Macht der Liebe ("Überall, wohin mein Auge blicket"), song for voice & piano, D. 308
  20. Abendbilder ("Still beginnt's im Hain"), song for voice & piano, D. 650
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The ongoing giant project on the part of the Naxos label to record all of Schubert's songs is based on a classification scheme originally suggested by Schubert himself in a private publication of some of his songs: he grouped them by poet. The specific reaction of Schubert to Goethe's poetry has provided fertile ground for singers' interpretations for years, and the Naxos series has revealed a host of similar possibilities with other poets and genres, even if those possibilites have not always been exploited by the ...

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